This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
this Kat was delighted to review Performing Copyright: Law, Theatre and Authorship by Dr Luke McDonagh (Assistant Professor of Law at LSE Law School). This is the first academic monograph that solely considers the relationship between UK copyrightlaw and historical and contemporary theatre.
This is a book review of the Research Handbook on Intellectual Property and MoralRights , curated by Ysolde Gendreau (Université de Montréal, Canada), provided by Francesca Mazzi , Lecturer in AI, Innovation and Law at Brunel University London. Such gestures couldn't be overlooked in a book on moralrights.
Thank you to readers who voted for the IPKat book of the year awards 2023! Here are the nominees and winners: Best Patent LawBook The nominations, in no particular order, were: • Der patentrechtliche Schutz von Daten und seine Grenzen; Landscheidt, by Fabian Landscheidt. Copyright and Cartography, by Isabella Alexander. .
Section 57 of the Copyright Act of 1957 covers authors’ special rights particularly, highlighting the importance of expanding such rights beyond solely economic grounds. As a result, the lifetime of these rights varies greatly between countries. Waiver of moralright of the author permissible?
Beyond the obvious attempt to draw a connection between the artwork and the book based a shared sense of the "classical", the artwork also seeks to evoke a more specific connection with the contents of the book. You can't judge a book from its cover". True, except when a book and its cover are involved. But of course.
Such uses, they argue, constitute copyright infringement. Google Books and Transformative Use The past two decades have seen a wealth of technological developments, but generative AI is qualitatively different from everything that has come before. As such, it was permissible under United States copyrightlaw.
Like most copyright systems, French copyrightlaw does not leave much room for the freedom of authors of transformative graphic works (also called “derivative works”). Three interesting cases on derivative works, two involving Jeff Koons and one Tintin, have recently put French copyrightlaw in the international spotlight (e.g.
Now in its second edition, the book offers a perspective on how one can address the overlap between intellectual property (IP) rights, either to reconcile them in whole or in part, or to pre-empt one over the other. The book closes with Chapter 21 by Susy Frankel, focusing on the interactions between IP and traditional knowledge (TK).
This is a book review of “ Harmonizing Intellectual Property Law for a Trans-Atlantic Knowledge Economy ”, edited by Péter Mezei, Hannibal Travis, and Anett Pogácsás. Anett Pogácsás examines the divergent legal approaches to copyright waivers, discussing how to mitigate the lack of uniformity. A meow-velous cover!
The Office provided an example where a user instructs an AI tool to “write a poem about copyrightlaw in the style of William Shakespeare”. Given that the user contributes little to no expressive elements to the AI-generated output, the output is not a product of human authorship or protected under the US Copyright Act.
After discussing traditional legal methods in Parts I and II, the second half of the book introduces readers to empirical research methods. After introducing readers to the three main stages of content analysis, Bar-Ziv applies this methodology to a case study: content analysis of online copyrightlaw cases.
1 Another key right is the creation of derivative works, which includes adaptations or translations. 3 This action would violate the right to translate, which is a specific aspect of the broader right to create derivative works. 13 Other arguments to limit the reach of the right exist. See 17 U.S.C. § 17 U.S.C. §
As its title suggests, this book focuses on the relationship between US copyrightlaw and street art and graffiti. This book should not be perceived as a classic manual on the application of copyright to these art forms. Those artists are attached to their creations and to the right of attribution.
The book that is going to change copyrightlaw? After the referrals in Mio [IPKat here and here ] and USM Haller [IPKat here ] , another referral asking about the meaning of originality in EU copyrightlaw has been made to the Court of Justice of the European Union (CJEU): it is the referral from Romania in Institutul G.
The Ukrainian IP Office recently announced that it has registered several works that, in addition to copyrightable content, also included artificial intelligence (AI) generated images protected under the new Ukrainian sui generis right for computer-generated subject-matter. 12), but does not include moralrights.
Becket , thus confirming the English line of descent for American copyrightlaw. Property is not an inalienable right in the American Declaration of Independence. We talk about authors when we talk about copyright. Or Schiller: “What is a book?” The Enlightenment has given its answer.
To that end, this blog addresses how the Egyptian copyrightlaw (ECL) regulates intermediaries’ liability when it comes to copyright-related infringements. What lessons, if any, should the Egyptian copyright legislator retain from the CJEU’s last words on the liability regime of the ECD? 147 ECL) and moralrights (art.
Regardless, as of this writing there are now five cases that may provide some clarity on this less frequently discussed but foundational issue of the unauthorized use of copyrighted materials as training data for AI (I use “AI” here as a shorthand which also includes text and data mining and machine learning). Case 1- Doe 1 v.
In the US, a voice isn’t explicitly protected under copyrightlaw, but there are potential protections under the right of publicity, which is enforced through state laws related to the appropriation of likeness, name, and voice. For instance, ChatGPT was trained on copyrightedbooks by J.K.
In doing so, it calls into question a fundamental assumption of many traditional intellectual property (IP) frameworks as copyrightlaws only protect works created by humans and not AI. And if someone substantially edits AI-generated data and claims copyright on the edited work, they could potentially qualify for copyright protection.
The Office provided an example where a user instructs an AI tool to “write a poem about copyrightlaw in the style of William Shakespeare”. Given that the user contributes little to no expressive elements to the AI-generated output, the output is not a product of human authorship or protected under the US Copyright Act.
CopyrightLaw Why are we so sure facts are excluded from the statute when the statute doesn’t use that word and uses a lot of other words. C’s first subject matter—maps, charts, and books—may help us think about what facts are (as distinguished from works?). Natural or moralright to own fruit of labors.
Spadika Jayaraj discussed a case where the Delhi High Court dismissed a suit by a media house accusing copyright infringement on its database of users. The issue has often arisen in the context of protecting confidential information through copyrightlaw. E.g., see Prateek Surisetti’s post here and Niyati Prabhu’s post here.
Development of CopyrightLaw Protection of Intellectual property rights has always been in existence among various sections of the society. The first codified statute dealing with copyright protection of printed books dates back to 1710, known as British Statute of Anne.
Challenges related to safeguarding the creation of artificial intelligence The key challenge that AI creation faces in India is the law in itself, Indian IPR law does not recognize AI as the inventor or the owner of the creation. 2] Eastern Book Co v D B Modak, (2008) 1 SCC 1. [3] 3] PRACTICE AND PROCEDURE MANUAL. [4]
Private property rights like patents that cover inventions promote a growing innovation economy and a flourishing society. Without them there would be idle curiosity, but Continue reading
In this sense, the case represents yet another evidence of the weak impact of the CJEU’s harmonizing efforts on national copyright flexibilities, and highlights, once again, the pressing need for a legislative intervention to realize a greater convergence between Member States’ copyrightlaws in action.
And, if so, to what extent and what does this mean for the concept of authorship in copyright? Gaon (Harry Radzyner Law School, Reichman University, Israel) considers these and other questions. The book is presented in three parts. In particular, by considering how and when IP protection for computer programs evolved.
We organize all of the trending information in your field so you don't have to. Join 9,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content