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Book Review: Research Handbook on IP and Moral Rights

The IPKat

This is a book review of the Research Handbook on Intellectual Property and Moral Rights , curated by Ysolde Gendreau (Université de Montréal, Canada), provided by Francesca Mazzi , Lecturer in AI, Innovation and Law at Brunel University London. Such gestures couldn't be overlooked in a book on moral rights.

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IPKat Book of the Year Awards 2023 winners announced!

The IPKat

Thank you to readers who voted for the IPKat book of the year awards 2023! Here are the nominees and winners: Best Patent Law Book The nominations, in no particular order, were: • Der patentrechtliche Schutz von Daten und seine Grenzen; Landscheidt, by Fabian Landscheidt. We look forward to reading and reviewing more IP books in 2024!

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What moral rights looked like in the 12th century—the story of "Guide of the Perplexed"

The IPKat

The basic mechanism of the modern author is regulating reproduction of the work (the subject matter of copyright) and preventing affronts to the work and the author's connection with it (the subject matter of moral rights). In the word so favored by the Academy, "contextualization" matters.

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Crypto Group Buys Dune Book, Confuses it for Buying the Rights

Plagiarism Today

million ($3 million) acquiring a physical copy of the book Jodorowsky’s Dune. The book, which details the effort by Chilean filmmaker Alejandro Jodorowsky to make a Dune film in the 1970s, is indeed a rare and valuable book. Make the book public (to the extent permitted by law) 2. Last year, the group spent €2.66

Copying 338
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Book review: Performers' Rights

The IPKat

This is a review of Performer's Rights by the Rt Hon Sir Richard Arnold, Judge of the Court of Appeal of England and Wales. The book covers the rights of performers, particularly the rights conferred under Part II of the Copyright, Designs and Patents Act 1988 (as amended). The book is presented in 11 chapters.

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Book review: Performing Copyright: Law, Theatre and Authorship

The IPKat

It focuses on authorship of the copyright in stage plays as dramatic works, texts that can be performed from a script (rather than musical theatre, dance, or performers rights). The book addresses questions of whom is the author and first owner of a dramatic work? Who receives the credit and the licensing rights?

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Permissibility Of A Waiver Of Moral Rights Of An Author Under The Copyright Regime

IP and Legal Filings

Section 57 of the Copyright Act of 1957 covers authors’ special rights particularly, highlighting the importance of expanding such rights beyond solely economic grounds. As a result, the lifetime of these rights varies greatly between countries. Waiver of moral right of the author permissible?