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Who Owns Creativity? — AI in Entertainment

JD Supra Law

The use of artificial intelligence (AI) in the film and television industry in content creation raises many legal and business issues. One key issue is the ownership of the works generated using AI and the ability to register a copyright in such works.

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Copyright Ownership in State Board Textbooks: Impediments to Accessibility

SpicyIP

In this post, I look at the question of the government’s copyright ownership in State Board textbooks, and its implications on access to knowledge and education. Smartphone ownership levels among rural households with school going children have doubled to 62% in 2020 from 36% in 2018. Image from here.

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3 Count: Hey Mickey!

Plagiarism Today

claimed that they held 50% ownership in the work, given to them by a producer named Greg Mathieson who worked on the album. He had actually had the lawsuit dismissed once before in November after he failed to show that that anyone involved in either the comic of television series had access to his work.

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Apple's "buy" button that doesn't result in ownership may mislead consumers

43(B)log

20, 2021) iTunes allows consumers to “Rent” or “Buy” movies, television shows, music and other content. Apple, Inc., 2021 WL 1549667, No. 2:20-cv-01628-JAM-AC (E.D. Renting is less expensive; buying leads the content to appear in a consumer’s “Purchased” folder.

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Striking the Right Chord: How the New MoU and Proposed Standard Agreement Aim to Give Screenwriters, Lyricists, and Composers Their Due Credit

SpicyIP

Additionally, SWA is also taking forward the quest to have a standardised agreement for screenwriters, which is presently being negotiated with film and television production houses. A Unified Approach for More Bargaining Power The MoU is signed between the SWA and MCAI and concerns the rights of music composers and lyricists.

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Disney Pulls TV Channels From Vietnam, Govt. “Concerned” Piracy Will Run Riot

TorrentFreak

Other channels under the same ownership including Fox Movies, Fox Sports, Disney Channel and Disney Junior, were previously withdrawn, the paper reported. He says that film companies and other entertainment content businesses, Disney included, believe that traditional television has run its course and video-on-demand services are the future.

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Ready, Fire, Aim: Eleven Thoughts on the CRTC’s Bill C-11 Consultations

Michael Geist

The three types of contributions are described as follows: The first category of contributions, referred to as a base requirement, could require broadcasting undertakings or ownership groups to make a financial contribution to specified funds that support Canadian artists or programming and the policy objectives outlined above.