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Here's what Kateryna and Liubov write : New Ukrainian Law on Copyright and RelatedRights by Kateryna Militsyna and Liubov Maidanyk Last year, the Ukrainian copyright reform got on its fast track. In July the Ukrainian parliament approved one of the legislative proposals on copyright and relatedrights as a basis.
An example of this would be the work carried out by AISGE – a Spanish organisation that manages dubbing actors’ intellectual property rights in Spain and abroad. There is no doubt, however, that BTAP strengthens relatedrights of artists in audiovisual works and ensures their payment abroad.
Recognising the challenges for performers in the position and enforcement of their rights, the book also includes discussion on other forms of protections and remedies for performers, such as moralrights, contracts, passing off and copyright infringement.
Furthermore, it introduces an accompanying new moralright of attribution for the first source of the ‘news of the day’. Works of authorship are protected through economic and moralrights afforded to the copyright holder. Nevertheless, a more precise characterisation is that this is a new relatedright.
Whether the government has taken any steps to address concerns raised by creative writers and artists in their lawsuits against AI-powered Large Language Models, especially regarding issues such as the source of training, systematic theft, violation of moralrights, threat to livelihoods, and royalty payment.
Not a copyright dispute … and the non-role of Article 14 of the DSM Directive In sum: the CHC provides a way to control for-profit reproductions of Italian cultural heritage, irrespective of their copyright status (it is in any case worth recalling that under Italian copyright law moralrights protection is … perpetual).
The author gave food for thought on the reproduction of works of art on book covers, on possible moralrights in the discussion, and on Walter Benjamin's notion of the "aura" of a work. Reminder: last call to vote for your best IP book of 2021 by participating in the poll here !
The fourth part explains copyright and relatedrights including performers rights and moralrights as well as confidential information. The third part addresses the way that things are sold, focusing on trade marks, passing off and unfair competition.
When you enforce your copyright, you enforce your copyright-relatedrights, which fall under Intellectual Property Rights (IPRs). The copyright owner or holder has the right to control who uses his creative work and the contexts in which the said work could be used.
However, under German copyright law, photographs that do not meet the originality requirement under Section 2(1) of the UrhG can still be protected as Lichtbilder (photographs) by means of a specific relatedright under Section 72 of the UrhG. By contrast, the author of a simple photograph is not granted any moralright.
According to article 1(1): intellectual creators, by creating the work, acquire intellectual property over it, which includes, as exclusive and absolute rights, the right to exploit the work (property right) and the right to protect the personal link to it (moralright). Emphasis added.)
The use of AI technology to generate images or music and other creative works, has legal implications for copyright and relatedrights of creators and rightsholders. As the creative industry is responsible for 6% of the UK’s GDP, the dialogue is particularly important with regards to the protection of the rights of the creatives.
The question as to whether the required serious infringement of moralrights had occurred could, the BGH ruled, only be ascertained on the basis of an analysis of the entire circumstances of the specific case. The BGH assumed that an infringement of the relatedright of the film producer had occurred.
The protection of moralrights, including the rights of publication, authorship, alteration, and integrity, is perpetual. The term of protection in China is the life of the author plus 50 years for individual authors or 50 years from the first publication of the work for legal entities, unless otherwise provided.
This first part covers the definition of a work, authorship and moralrights. Parts 2 to 4 will address exploitation rights, relatedrights, exceptions and limitations, copyright contract law and enforcement. Moralrights (Sections 12-14 UrhG).
Right to communicate the work to the public. In addition to the above, Section 57 of the Act stipulates “author’s moralrights,” grants the owner of a copyright the power to exercise moral authority over the work.
Moralrights transmissible by testamentary disposition: While moralrights are not transmissible during the life of the author, they are transmissible upon the author's death by testamentary disposition or operation of law.
CXCVII, Sept. 2) The contents referred to in the preceding paragraph shall be identified by the acronym "IA." (3) Authorship and ownership of outputs The most interesting aspect of the Vatican AI Guidelines is however another and its the authorship and ownership of AI-generated outputs.
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