Book review: Performing Copyright: Law, Theatre and Authorship
The IPKat
NOVEMBER 22, 2021
And who poses moral rights in the work? McDonagh discusses the emergence of the author figure as the owner of a dramatic work by analysis of authorship and ownership of plays from the Elizabethan period up to the early twentieth century. In what circumstances can a director or actor be granted joint-authorship with the writer?
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