Remove Moral Rights Remove Ownership Remove Publishing
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Striking the Right Chord: How the New MoU and Proposed Standard Agreement Aim to Give Screenwriters, Lyricists, and Composers Their Due Credit

SpicyIP

There is an interesting anecdote concerning noted writers Javed Akhtar and Salim Khan- where they had to hire painters to paint in their names as writers on the published promotional materials because these posters didnt give them any credit for their work. These efforts showcase how far the struggles of these artists have come.

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Conundrum Involving The Ownership Of The Work Created By Ai

IP and Legal Filings

Firstly, work generated from AI with input, in this case command is given by the human or programmer and get output out of it with the help of their creative and innovative ideas hence the ownership and authorship can be ascribed to the human who has given innovative inputs to the AI. Issues There are many issues in granting ownership to AI.

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Book review: Performing Copyright: Law, Theatre and Authorship

The IPKat

And who poses moral rights in the work? McDonagh discusses the emergence of the author figure as the owner of a dramatic work by analysis of authorship and ownership of plays from the Elizabethan period up to the early twentieth century. In what circumstances can a director or actor be granted joint-authorship with the writer?

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Copyright Regulation for Pseudonymous, Anonymous, and Related Creative Works in India

Intepat

In such cases, ownership may be attributed to the publisher or another designated entity. Section 57: This section emphasizes moral rights, which allow authors to protect the integrity of their works, regardless of whether they are pseudonymous or anonymous. Ajay Kumar Goswami v.

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Book review: Performers' Rights

The IPKat

Recognising the challenges for performers in the position and enforcement of their rights, the book also includes discussion on other forms of protections and remedies for performers, such as moral rights, contracts, passing off and copyright infringement.

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St. Art Foundation v. Acko General Insurance: Decoding Street Art, Fair use and Moral rights

SpicyIP

52(1)(t) and ‘moral rights’ of the author in such work. Lastly, I will discuss the argument of moral rights of the author in contending the ‘fair use exemption’ of their work. As a corollary, it also asserted ‘moral rights’ over the mural under Sec. 2(c), the fair use exemption thereof under Sec.

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IPSC Panel 14 – Copyright Authorship & Ownership

43(B)log

Atlantic Monthly first published Twain’s work, credited to him alone, in 1874. Twain thought he should have ownership of his lectures—“my lecture was my property.” No evidence of express consent; is telling it in front of him implied consent for him to publish it in his name w/no payment? Would that still exist today?