Remove Moral Rights Remove Ownership Remove Presentation
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St. Art Foundation v. Acko General Insurance: Decoding Street Art, Fair use and Moral rights

SpicyIP

52(1)(t) and ‘moral rights’ of the author in such work. Lastly, I will discuss the argument of moral rights of the author in contending the ‘fair use exemption’ of their work. As a corollary, it also asserted ‘moral rights’ over the mural under Sec. 2(c), the fair use exemption thereof under Sec.

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Conundrum Involving The Ownership Of The Work Created By Ai

IP and Legal Filings

Firstly, work generated from AI with input, in this case command is given by the human or programmer and get output out of it with the help of their creative and innovative ideas hence the ownership and authorship can be ascribed to the human who has given innovative inputs to the AI. Issues There are many issues in granting ownership to AI.

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Copyright Regulation for Pseudonymous, Anonymous, and Related Creative Works in India

Intepat

In India, the Copyright Act of 1957 provides the legal framework that governs these rights. However, the complexities of pseudonymous and anonymous works, along with orphan works, present unique challenges within this framework. In such cases, ownership may be attributed to the publisher or another designated entity.

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Journey Through “Januarys” on SpicyIP (2005 – Present)

SpicyIP

Without further ado, here’s what I found in the Januarys: Virtual World, Gaming, and IPs: Sifting through January pages, a decade-old post by Deepshikha Malhotra caught my attention, discussing Property Rights in the Virtual World. The question of ownership in the virtual world, particularly in video games, has long been debated.

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IPSC Breakout Session 3, Language and Authorship/ownership

43(B)log

Rothman: we have speakers using someone else’s TM, and speakers using their own, which seem like they’re more similar than you’re presenting. What does validation of TM rights mean in this situation? Rosenblatt: compare treatment of inheritance where US © law treats inheritance very differently than many other rights/properties.

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Book review: Performing Copyright: Law, Theatre and Authorship

The IPKat

And who poses moral rights in the work? The monograph is presented in six chapters. McDonagh discusses the emergence of the author figure as the owner of a dramatic work by analysis of authorship and ownership of plays from the Elizabethan period up to the early twentieth century.

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Book Review: The Artificial Inventor - A Challenge for the Patent System

The IPKat

The challenges presented by this state of affairs, including whether ‘artificial agents’ can be considered inventors, patent their inventions, and enjoy the benefit of patent ownership – and how their inventions would be evaluated against established human rules in the first place, are considered in this book.

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