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Here's what Kateryna and Liubov write : New Ukrainian Law on Copyright and RelatedRights by Kateryna Militsyna and Liubov Maidanyk Last year, the Ukrainian copyright reform got on its fast track. In July the Ukrainian parliament approved one of the legislative proposals on copyright and relatedrights as a basis.
As society is modernizing, so are the trends of music leading to the evolution of the stance of legal rights revolving around music. The transformed state of music now also includes remixes which on a substantial purview might engage in conflict with the foundational legal rights of the music produced by the musician.
Recognising the challenges for performers in the position and enforcement of their rights, the book also includes discussion on other forms of protections and remedies for performers, such as moralrights, contracts, passing off and copyright infringement.
As someone who has also authored a practical guide ( Copyright in the Music Industry ) that is aimed at a novice audience, this Kat must stress the intended audience of the book and, as such, the lack of references and appendices of legal texts.
This post is brought to you by Oprah Nwobike , who is a lawyer and doctoral researcher at Brunel University London focusing on copyright and artificial intelligence in the music industry, under the supervision of IPKat's Dr Hayleigh Bosher. AI companies take music created by humans and generate ‘new’ AI music based on what has been trained.
When you enforce your copyright, you enforce your copyright-relatedrights, which fall under Intellectual Property Rights (IPRs). Copyright is the legal and exclusive right of the owner of some creative work, be it in an artistic, literary, musical, or educational form.
According to article 1(1): intellectual creators, by creating the work, acquire intellectual property over it, which includes, as exclusive and absolute rights, the right to exploit the work (property right) and the right to protect the personal link to it (moralright). Emphasis added.)
The protection of moralrights, including the rights of publication, authorship, alteration, and integrity, is perpetual. 8) computer software; and (9) other intellectual achievements conforming to the characteristics of the works.” copyright law.
This first part covers the definition of a work, authorship and moralrights. Parts 2 to 4 will address exploitation rights, relatedrights, exceptions and limitations, copyright contract law and enforcement. Moralrights (Sections 12-14 UrhG). Authorship (Sections 7-10 UrhG).
4) The use of artificial intelligence systems and models in the reproduction, extraction and creation of textual, musical, photographic, audiovisual and radio content and figurative arts must not cause harm to the honor, reputation, decorum and prestige of the Supreme Pontiff, the Catholic Church and the Vatican City State. CXCVII, Sept.
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