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Why Moral Rights are Dead Serious: Preserving the Posthumous Moral Right of Integrity – Part I

SpicyIP

Such treatment usually amounts to violations of the moral rights of the author. In this post, I shall examine the concept of the moral right of integrity and its potential as a tool in protecting the works of authors posthumously. The integrity right can be exercised by legal representatives of the author as well.

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Why Moral Rights are Dead Serious: Preserving the Posthumous Moral Right of Integrity – Part II

SpicyIP

Can legal representatives substitute their own judgement in the vindication of the author’s moral right? Could moral rights, a principally unassignable right, be inherited by successive generations of legal representatives of the author?

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[Guest post] ‘Ghiblification’ and the Moral Wrongs of U.S. Copyright Law

The IPKat

The Visual Artists Rights Act (VARA) provides some moral rights: non-economic rights personal to the author of a work. VARA was passed in compliance with the Berne Convention, the international copyright treaty that requires countries to provide the basic rights of attribution and integrity to authors.

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Fresco removal might amount to moral rights infringement

The IPKat

Exposing the tangible support of a work to the vagaries of the climate or destroying it outright, might however raise copyright issues, in particular regarding moral rights. Moral rights infringement The Court recalled that, under article L. This right is attached to his person. Such an assessment is factual.

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A musical box infringes author’s moral rights, says the French Cassation Court

The IPKat

In recent years, they also became the protagonist in a protracted litigation that reached the French Cassation Court. During his lifetime, Trenet assigned his economic rights to these songs to his music publisher, Editions Raoul Breton. He claimed the infringement of Trenet’s moral rights, namely the integrity right in the work.

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Book review: Performing Copyright: Law, Theatre and Authorship

The IPKat

And who poses moral rights in the work? As such, the research demonstrates that litigation is rare in this context, and whilst the participants held varying opinions on the rights and wrongs of coping, there appears to be a normative regulation within theatre, where a wide degree of copying is tolerated.

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When is an artist entitled to refuse attribution of an artwork? Italian Supreme Court provides (final) guidance in long-running dispute over Jeff Koons’s The Serpents

The IPKat

As IPKat readers are surely aware, his fame extends well beyond the art world, given that Koons has contributed as litigant to some of the most interesting copyright case law around the world [see, eg, IPKat coverage here ]. Background In 1988, the artefact at issue in the Italian litigation was shown at an exhibition in Cologne (Germany).

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