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[Guest post] New Ukrainian Law on Copyright and Related Rights

The IPKat

Here's what Kateryna and Liubov write : New Ukrainian Law on Copyright and Related Rights by Kateryna Militsyna and Liubov Maidanyk Last year, the Ukrainian copyright reform got on its fast track. In July the Ukrainian parliament approved one of the legislative proposals on copyright and related rights as a basis.

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[Guest post] SIAE vs Meta: no more Italian music available on Facebook and Instagram?

The IPKat

The IPKat has received and is happy to host this guest contribution by Deborah De Angelis (Studio Legale DDA) on the highly publicized halted licensing negotiations between Italian collecting society SIAE and Meta regarding the availability of the music repertoire administered by the former on the latter’s services. 17 (4), a).

Music 130
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Copyright Legislation vis-a-vis the Music Industry : A Comparative Study of India and Indonesia

IP and Legal Filings

As society is modernizing, so are the trends of music leading to the evolution of the stance of legal rights revolving around music. The transformed state of music now also includes remixes which on a substantial purview might engage in conflict with the foundational legal rights of the music produced by the musician.

Music 98
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Copyright, AI Training, and LLMs: Historical Perspective and Infringement Analysis

Velocity of Content

Nor would ingesting, say, all the music written by Taylor Swift for the purpose of producing more (but free) music like her in a way that infringes on her rights in the ingested musical works be transformative in our view, especially in light of Warhol. Various licensing models could play a crucial role in this progress.

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[Guest post] CJEU: New licensing rules for the provision of guest TVs in Germany?

The IPKat

The IPKat has received and is pleased to host the following contribution by former GuestKat Mirko Brüß (Brüß Law) analyzing two recent decisions of the Court of Justice of the European Union (CJEU) on the evergreen right of communication to the public. Here’s what he writes: CJEU: New licensing rules for the provision of guest TVs in Germany?

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Book review: Performers' Rights

The IPKat

Topics include the evolution of the performers’ rights in the UK, through to all key aspects of the rights, such as subsistence, duration, ownership, licensing, remuneration, infringement, and exceptions. There is also a chapter on performers’ rights around the world, covering international treaties and specific countries.

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Case study: “copyright-free” in-store music and collective management

LexBlog IP

Company A (a Greek company) provides music programmes – based on a specific repertoire and intended to function as background music – to retail stores and, more broadly, to commercial or workplaces. The advertising messages are played at a higher volume than the music.

Music 52