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In the context of plagiarism, UGC has publicly problematized both ‘regular’ plagiarism ( through its 2018 Regulations for the ‘ Promotion of Academic Integrity and Prevention of Plagiarism in HigherEducational Institutions’ ) as well as ‘self-plagiarism’ (through a public Notice in 2020).
Whether AI will ever fully achieve this goal in a cost-effective manner, or if the market will embrace this development, is yet to be determined – but the immediate threat to the performing arts is clear. However, this reality is not necessarily an inevitable one (hence our article’s tag of ‘ re-thinking’ performers’ rights).
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