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St. Art Foundation v. Acko General Insurance: Decoding Street Art, Fair use and Moral rights

SpicyIP

2(c), the fair use exemption thereof under Sec. 52(1)(t) and ‘moral rights’ of the author in such work. 52(1)(t); and (ii) if yes, whether the proviso of the same or ‘fixation requirement’ excludes it from the scope of fair use. As a corollary, it also asserted ‘moral rights’ over the mural under Sec.

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Moral Rights in Copyright: Lin-Manuel Miranda sues Texas Church for unauthorized performances of “Hamilton”

IPilogue

The copyright issues that exist in this situation include: unauthorized streaming, unauthorized use of Hamilton content, unauthorized alterations to Hamilton content, and an infringement of an artist’s “moral right” to their copyrighted work. .

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Journey Through “Novembers” on SpicyIP (2005 – Present)

SpicyIP

So, before 2023 turns into yesteryear, let’s see what the past Novembers on SpicyIP (2005 to present) have offered. Speaking of late movie stars, one may wonder about the posthumous enforcement of celebrity rights. We stand on the cusp of bidding farewell to 2023 with just 10 days remaining!

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Journey Through “Januarys” on SpicyIP (2005 – Present)

SpicyIP

On the trademark side, relevant is this post by Bhavya Solanki and Medha Bhatt discussing the applicability of the fair use provisions of trademark law to the unauthorized use of trademarks in the virtual world. Then, Arundathi Venkataraman discussed the topic using the case of Garcia v.

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First duel between NFTs and copyright before the Spanish courts: NFTs 1 – Authors 0

Kluwer Copyright Blog

Mango, in turn, sustained in its defence that (i) as the rightful owner of the physical Paintings, it was entitled to display them in public, and that (ii) the creation of digital works (i.e. Therefore, the moral right of “disclosure” had already been exhausted. an exploitation that caused them no harm).

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Copyright Infringement and Music

Biswajit Sarkar Copyright Blog

The plaintiff presented the recordings of their copyrighted works being broadcasted in the defendant’s television channel as evidence in front of the Delhi High Court. According, to section 52 educational purposes, research or criticism are all fair use and do not attract copyright infringement. Mannu Bhandari V.

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Copyright Infringement and Music

Biswajit Sarkar Copyright Blog

The plaintiff presented the recordings of their copyrighted works being broadcasted in the defendant’s television channel as evidence in front of the Delhi High Court. According, to section 52 educational purposes, research or criticism are all fair use and do not attract copyright infringement. Mannu Bhandari V.