This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
By: Sharon Urias, Esq. Over the past few years, graffiti artists, also referred to as street artists, have started filing copyright lawsuits over the alleged improper and unauthorized use of their work. Sometimes the works in question are reproduced on clothing, other times the works are featured in advertising and marketing campaigns. While many artists claim the unauthorized use of their work makes them look like corporate sell-outs and diminishes their “street cred,” which is an important fac
Steve Schlackman. For years, videographers have used music as a backdrop in their films, short videos, and documentaries. The law around music licensing is pretty clear: a license is required to use copyrighted music in a video. This has been a standard practice since the dawn of music recordings. Yet, throughout the video industry, we find music being […].
Bucking a recent trend, a lower court refused to dismiss potentially "duplicative" causes of action in a contractor's complaint, allowing the contractor to assert both "legal" and "equitable" claims.
Louis Smoller. The 5 Pointz $6.7 million verdict will set an important precedent for graffiti artists in future cases involving the Visual Artists Rights Act (VARA).
Software is complex, which makes threats to the software supply chain more real every day. 64% of organizations have been impacted by a software supply chain attack and 60% of data breaches are due to unpatched software vulnerabilities. In the U.S. alone, cyber losses totaled $10.3 billion in 2022. All of these stats beg the question, “Do you know what’s in your software?
The Appellate Division reminds us yet again that not everything in a prime contract gets "incorporated by reference" into the subcontract. Here, the arbitration clause binding the contractor to the owner did not flow down to the subcontractor.
We organize all of the trending information in your field so you don't have to. Join 9,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content