Remove Designs Remove Information Remove Ownership Remove Public Domain
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The Other ‘Maybe’ Authors: Copyright Ownership for AI Trainers

IP Intelligence

Combine that “mastermind/dominant” author doctrine with the run of cases discussing ownership of software outputs (i.e., Copyright Office (the Office) when it comes to copyright ownership of artificial intelligence (AI) output. Forms and process documents (so long as they convey information). Technical drawings. And source code.

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The Other ‘Maybe’ Authors: Copyright Ownership for AI Trainers

LexBlog IP

Combine that “mastermind/dominant” author doctrine with the run of cases discussing ownership of software outputs (i.e., Copyright Office (the Office) when it comes to copyright ownership of artificial intelligence (AI) output. Forms and process documents (so long as they convey information). Technical drawings.

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Registered Copyrights and the Requisites for Registration

Intepat

The advantages of registered copyrights over unregistered ones are evident: Public Record of Ownership: Registration serves as a public record, enhancing the authority and confirming ownership to the creator. Copyright registration significantly reduces ambiguity in determining ownership and originality.

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Foreign Works, US Rights: The 7th Circle of Copyright Hell?

Copyright Lately

Nineties grunge-rock band Nirvana, already embroiled in a long-running legal battle against fashion company Marc Jacobs over its “happy face” t-shirt designs , now finds itself on the less happy end of a new copyright infringement lawsuit worthy of Dante’s trip through the underworld. Welcome to the Seventh Circle of Hell.

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Who Owns the Copyright in AI-Generated Art?

Intepat

This burgeoning genre is not only pushing the boundaries of artistic expression but also challenging the established norms of copyright ownership. This blog post embarks on a comprehensive journey to unravel the complex issue of copyright ownership in AI-generated art. Copyright laws are designed to safeguard the rights of creators.

Art 105
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The puzzled tie of copyright, cultural heritage and public domain in Italian law: is the Vitruvian Man taking on unbalanced proportions?

Kluwer Copyright Blog

Opposing the claimants’ arguments, Ravensburger challenged the cross-border application of Italian law, alleging that the claims conflict with article 14 of Copyright Directive in the Digital Single Market (CDSM) Directive since they attempt to unlawfully impose property assertions on public domain works. 633/1941, l.

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Copyright Protection of Modern Art

IP and Legal Filings

The issue of copyrightable material for modern art that is object-based or based on a design still exists, though. Ownership of Copyright. Ownership under employment. The author of the work will however not have the ownership of the art in case they are employed under an authority. right to copyright will exist.

Art 52