TorrentFreak
JUNE 22, 2022
The popularity of non-fungible tokens, NFTs for short, has reached new highs over the past year. “The Film is a derivative work created from the Screenplay, not the other way around. Last fall, Quentin Tarantino joined in as well. ‘Infringements’ Removed?
IP and Legal Filings
JANUARY 23, 2023
Parallel to this, Non-Fungible Tokens, often known as NFTs, have seen tremendous growth as more and more people enter the market. REFERENCES [i] Robyn Conti, What You Need To Know About Non-Fungible Tokens (NFTs) Forbes (2021), [link] (last visited July 01, 2022). [ii]
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Kluwer Copyright Blog
JUNE 19, 2023
Image by Tumisu via Pixabay Non-fungible tokens (NFTs) are altering society’s notion of digital ‘ownership’ and redefining the common perspective on distribution of original works to consumers by introducing scarcity to the digital realm.
Kluwer Copyright Blog
APRIL 22, 2024
The rise in popularity of non-fungible tokens (NFTs) has attracted a great deal of attention from copyright practitioners and aficionados. Basically, because an NFT is an encoded digital metadata file of a copy of a work that can be copyright protected. And why is that?
Kluwer Copyright Blog
OCTOBER 5, 2022
NFTs (non-fungible tokens) have become a buzzword in recent years. With the development of the new technologies, including NFTs, CC licensing is as relevant as ever and continues to offer an effective licensing tool for the underlying copyrighted works linked to NFTs.
Traverse Legal Blog
JANUARY 26, 2022
Today, we will be talking about NFT non-fungible token licensing. The right to create derivative works. There was a recent story that is an instructive lesson in copyright law that has application to the NFT market. Congratulations, you played yourself” is a cautionary take for NFT investors.
Plagiarism Today
SEPTEMBER 28, 2021
On September 23, the art site PokerPaint announced on their Twitter (Tweet now deleted) that they were releasing a series of Non-Fungible Tokens (NFTs) on OpenSea. ” The case raises questions of fair use and whether the new paintings were transformative enough to be non-infringing or if they were simply derivative works.
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