Intepat

OCTOBER 23, 2024

In the realm of intellectual property, copyright and moral rights play pivotal roles in safeguarding the interests of creators. While copyright primarily focuses on the economic rights associated with creative works, moral rights emphasize the personal and reputational interests of the creators.

Moral Rights 52

Moral Rights Copyright Intellectual Property Copyright Law 52

The IPKat

JANUARY 17, 2024

Translated into copyright language: a critical edition is an example of derivative work. In 2017, the Regional Court of Bucharest held that the defendants had infringed the professor’s moral right of attribution. Despite (or rather because of ?) In my view, this is so even for reasons beyond the question of originality.

Derivative Work 136

Derivative Work Editing Copyright Music 136

Kluwer Copyright Blog

SEPTEMBER 1, 2021

Like most copyright systems, French copyright law does not leave much room for the freedom of authors of transformative graphic works (also called “derivative works”). Three interesting cases on derivative works, two involving Jeff Koons and one Tintin, have recently put French copyright law in the international spotlight (e.g.

Derivative Work 104

Derivative Work Copyright Law Copyright Law 104

The IPKat

MARCH 22, 2024

This article delves into the saga’s central copyright issues and the concept of moral rights, and compares the situation in the US to how it might have unfolded under EU law. Another significant divergence lies in the recognition of moral rights.

Moral Rights 67

Moral Rights Copyright Music Art 67

Kluwer Copyright Blog

APRIL 22, 2024

Technically, from a copyright perspective, the NFTs were derivative works of the Paintings (underlying works), since the former included major copyrightable elements of the (previously created) latter. Therefore, the moral right of “disclosure” had already been exhausted.

Copyright 116

Copyright Artwork Moral Rights Non-Fungible Tokens 116

SpicyIP

MAY 23, 2024

In my view, the present judgement is an embodiment of inspiring judicial penmanship and gravitas. In this post, I have discussed the present judgment in the backdrop of previous developments and its potential impact on authors in the future. The Court’s present ruling seems to be an extension of the system in present times.

Music 59

Music Licensing Copyright Moral Rights 59

Velocity of Content

APRIL 30, 2024

The presentation wove together techni­cal principles and legal arguments. Tech­nical principles were presented by Babis Marmanis, CCC’s EVP and CTO, while Noam Shemtov, professor at Queen Mary University of London’s School of Law, and Daniel Gervais, Vanderbilt Law School professor, focused on the relevant legal is­sues.

Licensing 52

Licensing Social Media Copyright Publishing 52