Remove Definition Remove Derivative Work Remove Moral Rights
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Can I register my architectural work? A glance through copyright in Peru

Garrigues Blog

Copyright is a valuable asset for all industries and gives those who hold such rights a competitive edge. In the case of architecture, holding copyrights in works enables authors to exploit their economic rights with a view to continuing their creative activity. Right of paternity: the right to claim authorship of the work.

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The Interplay of Personality Rights and Freedom of Expression- the Jackie Shroff’s Case’

IP and Legal Filings

Certain sections like 2(qq) and 38, define a “performer” and specify whether a person’s personality falls under the definition of a performer, under which a performer’s right may be asserted, hence prohibiting the unapproved marketing of a performer’s work. Ammini Amma and Ors.,

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Copyright implications of Augmented Reality for cultural goods – Part 1

Kluwer Copyright Blog

At the same time, AR may be a catalyst for boosting the ecosystem surrounding bodies managing cultural heritage, because an attractive cultural site with entertainment features can definitely have an impact on the local tourism-related industry. When copyright is involved, both economic and moral rights issues are at stake.

Copyright 101
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Some Thoughts on Five Pending AI Litigations – Avoiding Squirrels and Other AI Distractions

Velocity of Content

It is somehow different from the right to make transformative derivative works (where the word “transformed” is used in Section 101 ) such as film adaptations of books, which clearly require copyright owner consent. That does not, however, diminish my excitement. While US law on training data and AI may be complex (e.g.,

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IT’S THE COPYRIGHT INFRINGEMENT FOR ME: WHY CLAIMS AGAINST MEME CONTENT SHOULD NOT MATTER

JIPL Online

Keller, Recognizing the Derivative Works Right as a Moral Right: A Case Comparison and Proposal , 63 Case W. xxvi] Will Kenton, Definition of ‘Bilateral Monopoly’ , Investopedia[link] (last visited Mar. Zywicki & Thomas J. vii] Deidrè A. 511, 523 (2012). viii] See, e.g., Lee J.