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The puzzled tie of copyright, cultural heritage and public domain in Italian law: is the Vitruvian Man taking on unbalanced proportions?

Kluwer Copyright Blog

Setting aside the private international law aspects, the case deserves examination on two main grounds. which refer to a person’s rights to name and image. It also ordered the company to pay 1.500 euros for each day of delay in the execution of the judicial order, as well as the publication of the decision on a large scale.

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3 Count: Sealed with a Kiss

Plagiarism Today

2: SoundExchange Royalties Dispute with Music Choice to be Referred to Copyright Royalty Board. Finally today, The Associated Press reports that, with the new year, several prominent works are lapsing into the public domain including the Ernest Hemingway novel The Sun Also Rises and A.A. They are free of copyright.

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Section 22 Vs Section 26 And Section 27: The Contrasting Sections Of Copyright Law

IP and Legal Filings

, “Does the author of any such work loses every right in terms of Copyright after the expiration of the time period mentioned under Section(s) 22, 26 and 27 and have no recourse to the same since the works are in public domain thereafter?”. The works will enter the public domain ultimately.

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Performer’s Rights under Copyright Law

Biswajit Sarkar Copyright Blog

Section 2(qq) of the Copyright Act, 1957 has provided meaning to the term performer stating that the term would include acrobat, singer, musician., Subsequently, performance can be referred to as the representation of any visual or acoustic presentation which has been performed by one or more performers.

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Use Frida's Paintings? (Yes!) Use Frida's Name? (Maybe)

Dear Rich IP Blog

Frida Kahlo age 12 (1919) Dear Rich: I'm filming a romantic comedy in San Miguel de Allende, Mexico, and refer to the artist Frida Kahlo in two scenes and show a photo of one of her paintings (self-portrait) hanging on the wall. You don't need permission to refer to Frida Kahlo in your film's dialogue. The painting. The Kahlo name.

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Fair Use for Documentaries in US Copyright Law: Brown v Netflix

Kluwer Copyright Blog

It should also be borne in mind that the court rejected the plaintiffs’ argument that the film should not be considered a documentary but just a “scripted creative work” which does not refer to real facts. As pointed out by Keith Aoki, James Boyle and Jennifer Jenkins in Bound by Law? by Tito Rendas. € by Martin Senftleben. €

Fair Use 101
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EUIPO BoA IP Case Law Conference Report #5 : “Copyright in flux: What does the future have in store?”

The IPKat

Should the EU unify copyright laws? The session started with the highly disputed topic of copyright unification with Prof. see Katpost here ) When finally addressing the question, "Should the EU unify copyright laws?" the PermaKat stated loud and clear, and I quote: “The short answer is: yes!