Copyright Law Editing Fair Use 
TorrentFreak
NOVEMBER 16, 2021
The company demanded damages under copyright law claiming that the team “willfully and maliciously” copied, adapted and distributed its source code and other content without permission. Affirmative Defense – Fair Use. The doctrine of fair use bars the relief sought by Plaintiff,” the response adds.
TorrentFreak
FEBRUARY 17, 2022
For copyright holders in Japan, this is a step too far and last year several ‘Fast Movie’ uploaders discovered that criminal copyright infringement offenses had been attributed to their YouTube uploads. In June 2021, three people were arrested for uploading these 10-minute edits. yen (US$13,000).
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TorrentFreak
MAY 24, 2022
When YouTube first got off the ground in 2005, most of its users would’ve been oblivious to how closely copyright law would govern their online activities moving forward. These heavily edited copies of mainstream movies aim to summarize key plot lines via voice-over narration in about 10 minutes. Image credit: CODA ).
Plagiarism Today
MAY 31, 2022
2: Amendment Passes to Grant Teachers Fair Use of Copyrighted Work Remotely. Next up today, Focus Taiwan reports that the Taiwan legislature has passed a new copyright law that would grant educators a fair use protection when using copyright-protected works via online classes.
SpicyIP
OCTOBER 9, 2024
Internet Archive, our fellowship applicant Tanishka Goswami explains the implication of the decision on fair use. She graduated from National Law University, Delhi in 2023 & enjoys reading and writing on copyright laws. What the Second Circuit’s “Fair Use” Analysis tells us ?
Plagiarism Today
AUGUST 10, 2022
RightsClick also makes it easy to bulk edit a large number of works. The Assess Tool also provides a basic fair use analysis and helps to make sure that the use isn’t covered under any other exceptions to copyright law. The next phase, ideally, is to register the work with the U.S.
The IPKat
FEBRUARY 28, 2024
This is a review of Music Borrowing and Copyright Law, a Genre-by-Genre Analysis , edited by Enrico Bonadio (City, University of London) and Chen Wei Zhu (University of Birmingham). This edited collection will be enjoyed by scholars and practitioners interested in music and copyright, as well as musical cultural heritage.
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