Copyright Law Derivative Work Moral Rights 
Intepat
OCTOBER 23, 2024
In the realm of intellectual property, copyright and moral rights play pivotal roles in safeguarding the interests of creators. While copyright primarily focuses on the economic rights associated with creative works, moral rights emphasize the personal and reputational interests of the creators.
Kluwer Copyright Blog
SEPTEMBER 1, 2021
Like most copyright systems, French copyright law does not leave much room for the freedom of authors of transformative graphic works (also called “derivative works”). Derivative works under French copyright law. here and here ). a remake or an adaptation of a book into a film).
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The IPKat
JANUARY 17, 2024
The book that is going to change copyright law? After the referrals in Mio [IPKat here and here ] and USM Haller [IPKat here ] , another referral asking about the meaning of originality in EU copyright law has been made to the Court of Justice of the European Union (CJEU): it is the referral from Romania in Institutul G.
Velocity of Content
DECEMBER 4, 2024
If so, infringement may occur unless an exception applies or the LLM did not have access to the original work. 1 Another key right is the creation of derivative works, which includes adaptations or translations. If so, infringement may occur unless an exception applies or the LLM did not have access to the original work.
Intepat
APRIL 23, 2025
The Right to Publicly Perform : This ensures that creators have control over public performances of their work, whether live performances, broadcasts (radio or television), or streaming. We are committed to empowering creators to protect their work and thrive in the music ecosystem.
The IPKat
JANUARY 25, 2022
The copyright lawyer might well respond with a glazed look. Indeed, it is Benjamin's notion of the aura, where each work of art has its own unique setting, which underscores just how derivative its use is when applied to a book cover. But this is not the case for works of art. But of course.
The IPKat
MARCH 22, 2024
This article delves into the saga’s central copyright issues and the concept of moral rights, and compares the situation in the US to how it might have unfolded under EU law. After Swift had found herself dissatisfied with the way in which BMR had made use of its rights, she decided to re-record the albums.
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