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OpenAI Wants New York Times to Show How Original Its Copyrighted Articles Are

TorrentFreak

That basically allows one party to request evidence from the other, to properly support or refute the copyright infringement claims that form the basis of the lawsuit. OpenAI Seeks NYT ‘Source’ Material In its quest for evidence, OpenAI is particularly interested in the copyrights of the New York Times’ works.

Copyright 137
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Best practices to avoid copyright infringement

Biswajit Sarkar Copyright Blog

What is copyright infringement? Unauthorized use of a work protected by copyright is referred to as copyright infringement. In this blog we will take a look at best practices to avoid copyright infringement. In this blog we will take a look at best practices to avoid copyright infringement.

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How to Defeat an AI-Powered DMCA Scam

Plagiarism Today

On April 13, Ben Dickson at The Next Web received an email from a lawyer with the name Nicole Palmer with the subject “DMCA Copyright Infringement Notice”. That didn’t stop his investigations, as he realized that the law firm and the lawyer were both fake. First, the subject of DMCA Copyright Infringement Notice is strange.

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Foreign Works, US Rights: The 7th Circle of Copyright Hell?

Copyright Lately

Nineties grunge-rock band Nirvana, already embroiled in a long-running legal battle against fashion company Marc Jacobs over its “happy face” t-shirt designs , now finds itself on the less happy end of a new copyright infringement lawsuit worthy of Dante’s trip through the underworld. copyright law.

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Who Owns the Copyright in AI-Generated Art?

Intepat

To delve deeper into the question of ownership, we need to grasp the traditional concept of copyright. Copyright laws are designed to safeguard the rights of creators. Historically, these rights have been attributed to human creators, forming the cornerstone of copyright law.

Art 105
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Company ‘Hijacks’ Blender’s CC BY-Licensed Film, YouTube Strikes User

TorrentFreak

On Sunday he informed TorrentFreak that he’s also an independent film composer and producer, working with music production libraries, and distributing to the main music platforms. After filing his counternotice with YouTube, Bruno was informed that since he’d provided insufficient information, YouTube could not process it.

Licensing 143
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Algorithmic propagation: do property rights in data increase bias in content moderation? Part I

Kluwer Copyright Blog

This two-part blog post offers a reflection on the topic of content moderation and bias mitigation measures in copyright law. can and should be adopted to mitigate this undesirable effect in copyright content moderation in order to ensure an effective protection of fundamental rights? Image by Gerd Altmann from Pixabay.