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Safeguarding Access to Culture in the Digital Era in European Copyright law

Kluwer Copyright Blog

Traditionally, the purchase of the tangible copy of a work afforded the buyer or every lawful acquirer of the tangible copy the possibility to enjoy the work as long as the physical object incorporating the work exists. However, the shift from a market of goods to a market of services has changed this paradigm.

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Book Review: Harmonizing Intellectual Property Law for a Trans-Atlantic Knowledge Economy

The IPKat

This is a book review of “ Harmonizing Intellectual Property Law for a Trans-Atlantic Knowledge Economy ”, edited by Péter Mezei, Hannibal Travis, and Anett Pogácsás. This model addresses the legal public domain status of both physical and intangible AI creations and inventions. A meow-velous cover!

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1927 Enters the Public Domain

Indiana Intellectual Property Law

However, January 1 st of each year marks the expiration of another year of historical copyrights, and 2023 ushered works from the year 1927 into the public domain , making them eligible for extensive use without pe rmission or royalties.

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Dispute on Copyright and Creativity

Biswajit Sarkar Copyright Blog

Legal Background and Relevant Laws The legal framework surrounding AI-generated music draws from multiple intellectual property laws and regulations, including: Copyright Act (U.S.): Digital Millennium Copyright Act (DMCA): This law protects against unauthorized digital copying and distribution.

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Free Mickey? (Don’t Be Goofy)

JD Supra Law

January 1, 2024, brought numerous hangovers along with an unprecedented amount of media attention to intellectual property law. Freed from the shackles of copyright, Walt Disney’s iconic rodent was now in the public domain and, therefore, available for everyone to copy. But not so fast. But not so fast.

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The Evolving Jurisprudence of Copyright in AI-Generated Works

IIPRD

Blog sought to study global moves or court cases that have taken place regarding uses of copyright in made-always-with-an-AI creation and provide discussion over possible solutions to the future of intellectual property laws. Who owns the right to copy-authors, the programmer, the user, or the transmitter commissioning the work?

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Guest Post: Press Publishers’ Rights In Indian News Media Digital Space

SpicyIP

Mili is a graduate of Institute of Law, Nirma University, currently completing her LLM at LSE. Her areas of interest are Information Technology law, Intellectual Property law, Media & Communication Law, and human rights law. . Image from here. Introduction.