Copying Derivative Work Editing Ownership 
Kluwer Copyright Blog
JUNE 19, 2023
Image by Tumisu via Pixabay Non-fungible tokens (NFTs) are altering society’s notion of digital ‘ownership’ and redefining the common perspective on distribution of original works to consumers by introducing scarcity to the digital realm.
Traverse Legal Blog
JANUARY 26, 2022
The token goes onto the blockchain, indicating ownership rights and potentially royalty rights for future transfers of the NFT, but not the underlying digital asset. An NFT group called TheSpiceDAO bought a copy of the book “Dune” believing they had purchased more than just the book. The right to create derivative works.
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IP Tech Blog
JANUARY 4, 2023
The exclusivity of exploitation is key to the success of a limited-edition collectible. Ownership and Enforcement. Ownership and scope of protection against infringers are among the key challenges to copyright protection of NFTs. Copyright Ownership. Two ideas of ownership have emerged under copyrights.
Kluwer Copyright Blog
DECEMBER 5, 2022
When the said sensor recognizes it is in front of the Ara Pacis, it gives the order to copy the colored reproductions of some parts of the Ara Pacis, stored in a cloud-based database, and display them on the screen of the goggles. Thus, ownership of such rights is crucial for exploitation purposes.
LexBlog IP
JANUARY 4, 2023
The exclusivity of exploitation is key to the success of a limited-edition collectible. Ownership and Enforcement. Ownership and scope of protection against infringers are among the key challenges to copyright protection of NFTs. Copyright Ownership. Two ideas of ownership have emerged under copyrights.
Copyright Lately
MAY 6, 2022
What about editing some NBA Top Shots moments to create a fantasy matchup between Michael Jordan and Steph Curry? The first thing that’s important to understand is that buying a copy of a creative work, even if it happens to the only copy in existence, doesn’t give you any copyright interest in the work.
43(B)log
FEBRUARY 4, 2023
Said: Framing it as “the woman question” is rhetorically tricky and still positions women as the problem—why not “the copyright question: woman edition”? Looking at post-1978, 9 th , 2d, and 6 th Cir (Motown) and SCt; copying and use without license. Said: ownership records; interview a few repeat players. Who sues who?
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