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Disney+ ‘Behind the Attraction’ Accused of Plagiarism

Plagiarism Today

All this raises a simple question: Did the series copy St Onge’s work? Onge and others who spotted the similarities, someone who worked on the series closely copied or even traced St. And despite copying my video, the episode still contains several errors, like saying the Orlando version has 2 ride systems while showing 4.

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Dr. Tesh Dagne Shines a Light on the Unseen Hands and Invisible (Copy)Rights Behind AI Systems

IPilogue

His chapter probes the future of copyright law, attempting to turn the focus of copyright to collaborative authorship. Damola Adediji is a Visiting Researcher with IP Osgoode and Doctoral Candidate with the Centre for Law, Technology & Society at the University of Ottawa. According to Tubaro et al., As described by C.

Copying 75
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IP Protection of NFTs: A Comparative Look at the US and China

IP Tech Blog

Article 3 of the China Copyright Law defines copyrightable works as intellectual creations with originality in the realm of literature, art or science that can be represented in a certain form (the “tangibility” requirement in the US) and expands its scope by including other intellectual creations that meet the characteristics of works.

IP 109
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[Guest post] Craftsman vs visionary – the Kippenberger authorship dilemma in copyright

The IPKat

Paris Bar (Variante 3) The legal issue The relationship between art, artists and their “helping hands” is one that goes down to the very roots of copyright law, and the beginning of art itself. However, given our case´s German context, we should turn to German law for answers. But who is the actual “creator” of the work?

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Egyptian Case Kurasov v. Wali: Where inspiration meets imitation in the art world

Kluwer Copyright Blog

Indeed, in a world where “ nothing is lost, nothing is created, everything is transformed “, it is a rather daunting exercise for any court to draw the line between inspiration and imitation in copyrighted works, let alone in copyrighted art works.

Art 59
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Egyptian Case Wali v. Kurasov: Where inspiration meets imitation in the art world

Kluwer Copyright Blog

Indeed, in a world where “ nothing is lost, nothing is created, everything is transformed “, it is a rather daunting exercise for any court to draw the line between inspiration and imitation in copyrighted works, let alone in copyrighted art works.

Art 52
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IP Protection of NFTs: A Comparative Look at the US and China

LexBlog IP

Article 3 of the China Copyright Law defines copyrightable works as intellectual creations with originality in the realm of literature, art or science that can be represented in a certain form (the “tangibility” requirement in the US) and expands its scope by including other intellectual creations that meet the characteristics of works.

IP 52