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Permissibility Of A Waiver Of Moral Rights Of An Author Under The Copyright Regime

IP and Legal Filings

Section 57 of the Copyright Act of 1957 covers authors’ special rights particularly, highlighting the importance of expanding such rights beyond solely economic grounds. As a result, the lifetime of these rights varies greatly between countries. Waiver of moral right of the author permissible?

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Striking the Right Chord: How the New MoU and Proposed Standard Agreement Aim to Give Screenwriters, Lyricists, and Composers Their Due Credit

SpicyIP

Further, the MoU also underscores the requirement of separate contracts of music directors and lyricists with producers whereby both will have the right to negotiate independently. In addition to this, both the MoU and the standard agreement seek to extend the moral rights of these authors. As explained by Prof.

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Alalääkkölä v Palmer: New Zealand Supreme Court confirms copyright is relationship property

Kluwer Copyright Blog

It distinguished between economic rights (which are assignable) and moral rights (which are not assignable). Because economic rights can be assigned, copyright has a value realisable in money. Yet what happens to a book publishing license signed in 2018 and the authors relationship ends in 2027?

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Book review: Performers' Rights

The IPKat

Recognising the challenges for performers in the position and enforcement of their rights, the book also includes discussion on other forms of protections and remedies for performers, such as moral rights, contracts, passing off and copyright infringement.

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Ballad in the mall: the violence of a scene does not give rise to an integrity claim in relation to the background music

The IPKat

This time the dispute focused on the impact on moral rights of synchronising a musical work with a TV show about drug cartels. American company Narcos obtained the right to synchronise this work for an episode of the series Narcos - Mexico, of which it is the producer, granted by the company Regent. Facts Mr M.

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[Guest post] Navigating the high notes: Taylor Swift's copyright dispute

The IPKat

This article delves into the saga’s central copyright issues and the concept of moral rights, and compares the situation in the US to how it might have unfolded under EU law. Taylor however retained the copyrights over the compositions she created, enabling her to (re-)publish the music independently.

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Copyright case law of the German Bundesgerichtshof 2015 – 2019 – Part 4 of 4: Copyright contract law and enforcement

Kluwer Copyright Blog

Parts 1 to 3 of this post (originally published in “Auteurs & Media”) summarising case law of the German Bundesgerichtshof from 2015 to 2019 are available here , here and here. Copyright contract law (Sections 31 et seqq. Right of remuneration (Sections 32 et seqq. More from our authors: Law of Raw Data.