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The time is ripe to strike a balance between the copyright owner’s economic interests and the public’s right to have access to information and knowledge for growth and development of society before it turns out as blessings of talent over the curse of poverty. Copyright ensures certain minimum rights and it has never been an absolute right.
In 2015, the Program on Information Justice and Intellectual Property (PIJIP) set out to conduct empirical research on the impact of copyright exceptions. We soon realized that information about the changes to copyright law over time – which would be especially useful for empirical studies – was lacking.
Typically, in the case of scholarly publications, authors are publicly funded through payment under a standing contract with a university or research institute, or through project funding, including EU funding. Pre-existing Bulgarian provision The SPR is not an entirely novel concept to Bulgarian copyright law. A new para 2 to art.
In the last year, the German Copyright Act has experienced what is probably its most substantial reform since it first came into force in 1966. The reason for this was the implementation of the DSM Copyright Directive 2019/790/EU (DSMD) and Directive 2019/789/EU (Online SatCab Directive). Extensive changes to the German Copyright Act.
The above allows for the protection of trademarks currently being used in contract manufacturing or that are used by companies engaged in export activities in any of the member countries of the Andean Community. 06/02/22 – Copyright. Original source in Spanish. 06/02/22 – IP&T. Original Source in Spanish. .
long-term contracts, say for 5-10 years, to ensure continuity of access iii. copyright terms for articles to be published, in case of open access journal publishers vii. perpetual accessibility of resources for paid period ii. access to backfiles (with current subscription) iv. annual rates of increase in subscription v.
On the first point, our review of the available empirical evidence (based on the catalogued studies on the Copyright Evidence database and preliminary survey findings from a survey of UK-based audiovisual performers) suggests that ‘typical’ creative labour, performances included, trend towards being undervalued.
The new copyright law, the amended Polish Copyright and Related Rights Act of 1994, entered into force in the early autumn of 2024. The implementing law amended three acts: the Copyright and Related Rights Act, the law on the protection of databases, and the act on collective management.
They also advocate a ‘ more science-friendly copyright law ’ and the development of the National Research Data Infrastructure and European Research Data Space, alongside enabling data sharing of fully anonymised and non-personal data for research in the public interest.
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