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The IPKat is thrilled to announce the launch of the 2024 Book of the Year Awards, continuing its cherished end-of-year tradition! Only books published in 2024 are eligible for the award. Please remember that, just as in previous years, only one vote per person is allowed.
This is a review of Performer's Rights by the Rt Hon Sir Richard Arnold, Judge of the Court of Appeal of England and Wales. The book covers the rights of performers, particularly the rights conferred under Part II of the Copyright, Designs and Patents Act 1988 (as amended). The book is presented in 11 chapters.
For those of you still finishing up their IP book pile, The IPKat team is extending the deadline to vote for your favourite IP books of 2024 until 10 February 2025. Please remember that, just as in previous years, only one vote per person is allowed. The IPKat does not disclose nominations until the voting ends.
It is time to vote for your favourite intellectual property law books of 2023 in the annual IPKat Book of the Year Awards! The IPKat team continues to read and review as many brilliant IP books as possible, of which there are many, for the Kat community. Rules of Voting Only ONE vote per person.
Dr VRR Ayyar’s book, “Present at Creation: The Making of Internet Treaties (1996)”, published in 2021. The officials dealing with copyright were generalist administrators, and expertise on international copyright laws in academia was sparse […].
This is a review of the third edition of International Copyright and Neighbouring Rights: The Berne Convention and Beyond , by Sam Ricketson (Emeritus Professor, Melbourne Law School, University of Melbourne) and Jane Ginsburg (Morton L. Analysis of the beginnings of a movement in favour of broader protection of resale royalty rights.
There are plenty of options for copyright holders to frustrate pirate site operations, but attacking their domain names is particularly effective. This week, Dutch anti-piracy group BREIN reported that it had booked new success with its previously unknown ‘ registry strategy ‘ Following a notice from BREIN, the SIDN (.nl)
Kat approved This book is aimed at those who are new to the subject of intellectual property. The preface reiterates that the purpose of the book is to describe the essential nature of living IP law: "What we want is the reader to come away with a good idea of how IP works in practice."
The original work and its alleged parody Further to the dismissal of the copyright and trade mark claims but not the entirety of the action on appeal, the defendant filed an extraordinary appeal. In so doing, the Supreme Court tackled 3 key issues under EU copyright law – specifically: the InfoSoc Directive.
The new copyright rules relevant to “Big Deals”. Under the law of copyright, the authors of works of science are the copyright owners of their published articles. Under the law of copyright, the authors of works of science are the copyright owners of their published articles.
Readers are reminded that they can vote for their favourite intellectual property law books of 2023 in the annual IPKat Book of the Year Awards! Votes must be made via email before 15th January 2024 as per the instructions below. You can check out the previous nominees and winners here. Rules of Voting Only ONE vote per person.
IPKat Book of the Year Awards 2024. The deadline for submissions to the IPKat Book of the Year awards is 31 January 2025. Vote here for your favourite books in the categories of patents, copyright (incl., relatedrights, performers rights), trade marks (incl., More information here.
Copyright Kateryna Militsyna and Liubov Maidanyk unpacked the major legislative changes brought by the new Ukrainian Law on Copyright and RelatedRights , adopted in December 2022. This phenomenon illustrates the commercial potential of derivative works within the copyright system.
If you've been too wrapped up with preparations for the holiday season , here's a summary of the IP news that you might have missed last week: Patents This Kat is still contemplating which IP books to put on her Christmas wish-list. Léon has recently published a book on the subject, which is being launched on 12 January 2024.
From a copyright perspective, surely that image is a ‘work’, but could it be also regarded as original enough to warrant protection under that IP right (without considering relatedrights in accordance with Article 6 of the Term Directive )?
Copyright Anastasiia Kyrylenko discussed the recent interpretation of Article 4 of Directive 2004/48/EC by the CJEU in relation to possibility for collective management organisations to bring, in their own name, actions for copyright infringement on behalf of the right holders.
Within days, stock image supplier Getty Images announced that it was one of the “folks” who disagreed – and disagreed so strongly that it had commenced legal proceedings in the High Court in London alleging copyright infringement. This litigation has arisen amongst a flurry of recent interest in AI generated works.
COPYRIGHT Katfriend Moritz Sutterer posted on a new competition tool that the German Competition Authority recently tried out against Google in relation to press publishers' neighbouring right. Reminder: last call to vote for your best IP book of 2021 by participating in the poll here !
Image via Pexels Research Grant – University of Udine The University of Udine has just launched an opportunity for a research grant on the topic: Italian copyright law after the EU Directive on copyright and relatedrights in the Digital Single Market, and its effects on cultural heritage. European experts, namely Prof.
The Directive does this through a mandatory exception for copyright infringement that allows cultural heritage institutions and educational institutions to reproduce and make available orphan works from their collections to the public. As a result, the impossibility to disseminate valuable cultural heritage remained.
Secondary Publication Rights as Enablers of (Green) Open Access SPRs are rights under copyright law that allow authors of publicly funded scientific research to post their published works on institutional websites and repositories, without the need for permission from the publishers that often own the copyrights.
Some consider that the Government was influenced by the French union of book publishers Syndicat National de l’Edition – SNE when it decided to leave out the term ‘appropriate’ when transposing the principle of ‘ appropriate and proportionate remuneration ’ of articles 18 and 20 of the CDSM.
6-7 April 2023: “From the DMCA to the DSA: A Transatlantic Dialogue on Online Platform Liability and Copyright Law” The Berkeley Center for Law and Technology will hold its 27th annual symposium, on 6 and 7 April 2023, at the International House, UC Berkeley. Click here to know more. More information here. More information is available here.
Therefore, case law plays a huge role in ensuring the establishment of a fair and balanced liability regime, in particular as concerns the issue of (indirect) liability for internet service providers and other intermediaries whose services are used to commit copyright infringements. That has now changed.
Book Review Katfriend Maciej Padamczyk (Herchel Smith Doctoral Researcher, Research Associate QMIPRI) reviewed Research Handbook on Intellectual Property Rights and Inclusivity , edited by Cristiana Sappa. Furthermore, AGA also discussed a possible copyright infringement in its design.
As a matter of principle, the exercise of the exclusive rights under copyright is the author’s individual prerogative: it is the author who decides whether they wish to authorize the reproduction or communication to the public of their works (the same goes for the performer, the producers, the broadcaster or the news publisher).
Much has been said about the press publishers’ right, introduced by Article 15 of the Directive on Copyright in the Digital Single Market (CDSM). This is particularly visible in the definition of the negotiation and licensing scheme envisioned for the exercise of the new relatedright. Image via needpix.
Much has been said about the press publishers’ right, introduced by Article 15 of the Directive on Copyright in the Digital Single Market (CDSM). This is particularly visible in the definition of the negotiation and licensing scheme envisioned for the exercise of the new relatedright. Image via needpix.
Copyright Office Report on AI. Copyright Office Report on the legal and policy issues related to Artificial Intelligence (AI) and copyright. AI usage for assisting creation processes or including AI-generated material in a more extensive human-generated work does not prevent copyrightability. Review Part 1 here.
Image by Mohamed Hassan via PxHere The debate on the use of copyrighted material to train generative AI models is evolving, shifting its focus from whether compensation is due to creators, to determining the structure and specifics of a remuneration system. This post will take a closer look at these three proposals. The document (see pp.
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