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Secondly, because Article 14 of the DSM Directive / Article 32-quarter of the Italian Copyright Act is about the protectability of the reproduction of a publicdomain artwork, not a situation like that one at issue here, that is the actionability of the unauthorized reproduction of a publicdomain artwork.
The legal doctrines involved are closely related to copyrights and relatedrights systems. Now, this documentation may raise concerns about protection of IP as it may fall into the publicdomain. We shall be discussing the same in our upcoming blogs. Why is their protection important?
This two-part blog post contains a summary of our report’s conclusions and recommendations. Part II will present our conclusions regarding EU rules on relatedrights and outline policy recommendations for EU legislators in this field. As noted below, however, it might still benefit from protection under relatedrights.
As has already been argued on this blog, these requirements raise serious concerns. However, attention is necessary: the PPR is a relatedright and its subject matter does not need to qualify as (a part of) a “work”. Publicdomain material. Targeted users.
1] Directive (EU) 2019/790 of 17 April 2019 on copyright and relatedrights in the Digital Single Market, OJ 130/92, pp. For more information, see Cleary IP and Technology Insights blog-post, Agreement reached on the EU AI Act: the key points to know about the political deal (14 December 2023). [7]
This blog examines how press publishers have claimed rights over their content on digital media platforms like Facebook, Google News, which give a preview of two-three lines along with a hyperlink to the press publication. The EU took the Intellectual Property route by introducing a relatedright under its copy right law.
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