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As remarked by composer and MCAI chairperson Vishal Bharadwaj in his recent interview , producers often demand ownership over derivative rights, and music labels often force composers to let go of their moralrights. Similarly, for the composers and lyricists things werent any better.
In such cases, ownership may be attributed to the publisher or another designated entity. Section 57: This section emphasizes moralrights, which allow authors to protect the integrity of their works, regardless of whether they are pseudonymous or anonymous.
The NLUJ-CIPS Blog. The Blog regularly publishes articles in the field of IP and functions in a structured manner much like a journal. The ownership over the copyright of the essay published on the CIPS Blog will be transferred to the CIPS Blog and the author shall still retain the moralrights over their work.
Many digital file formats allow creators to embed additional data to provide details of ownership or any other relevant information. In Maria Schneider’s CMI article she talks about the moralrights of artists, including the right to attribution and the right of integrity. ——-.
Architectural works are also classified as artistic works, and hence, architects and designers are accorded the same rights provided for artistic works under Section 13 and 14 of the Act. Additionally, the architect is also granted moralrights over their work, enabling them to preserve the architectural integrity of the building.
This blog explores some considerations surrounding influencer marketing and highlights key aspects that should be addressed in contracts to ensure a mutually beneficial and legally compliant partnership. Disclosure requirements are carefully monitored by the ASA and the CMA (see our previous blog in relation to this here ).
A longtime friend of the blog, Achille is currently serving as an Advisor to the Board of the Indian Performing Right Society. His previous posts on the blog can be accessed here and here. The long Battle of the Booksellers was about perpetual ownership. Views expressed are those of the author’s.
This blog explores some considerations surrounding influencer marketing and highlights key aspects that should be addressed in contracts to ensure a mutually beneficial and legally compliant partnership. Disclosure requirements are carefully monitored by the ASA and the CMA (see our previous blog in relation to this here ).
However, an architect’s intellectual property rights in his/her work can conflict with the ownershiprights in the built work creating a situation that is less than desirable for both, in which each may hamper the interests of the other. MoralrightsMoralrights establish the connection between the author and his/her work.
In a world where information can be disseminated in the blink of an eye thanks to technological advancements, it is a difficult task to ensure that the original artists retain ownership of their creations amid the explosion of available works and the emergence of vastly varied creative forms.
Without further ado, here’s what I found in the Januarys: Virtual World, Gaming, and IPs: Sifting through January pages, a decade-old post by Deepshikha Malhotra caught my attention, discussing Property Rights in the Virtual World. The question of ownership in the virtual world, particularly in video games, has long been debated.
[Delhi High Court] On May 23, the Delhi High Court passed an interesting jud gement on the issue of ownership of the copyright in a film screenplay and held that the copyright in the screenplay of the film ‘Nayak’, lay with Satyajit Ray and on his demise, with his son Sandip Ray and the Society for Preservation of Satyajit Ray Archives (SPSRA).
In this piece, I will recapitulate Strickland- Murphy’s exploration of IP ownership of Non-fungible Tokens and expand on recent developments since May. Given this situation, Ratajkowski’s NFT auction was, as Ratajkowski explains it, an opportunity to reclaim ownership over her photo. What are non-fungible tokens?
Copyright laws should not stand between exposure to authenticity, but at the same time should not avoid dealing with illegal ownership claims.”. Dean Zemer explored the copyright principles of Fair Use, Orphan Works, and Perpetual Rights. Copyright law protects and should continue to protect communicative and dialogical spaces.
The embedding of “smart contracts” in NFT sales allows for the automatic distribution of royalties – roughly 10% – anytime a change of ownership is requested on the blockchain. Exercising control of downstream purchaser actions for traditional or non-digital artistic mediums is more complicated.
This set of two blog posts analyses the primary limitations to parties’ freedom of contract in this context, from the perspective of EU law. These limitations are treated in Part 2 of this blog post. However, this finding does not ring true for all protective provisions. Exceptions to choice of law.
Justice Rothstein offered a Canadian perspective on how our moralrights framework would line up with Dean Zemer’s approach. Justice Rothstein explained that the concerns raised by Dean Zemer would fit neatly into the Canadian understanding of moralrights.
As IP aficionados, many readers of this blog will have strong views about the proper scope of copyright law. Many readers of this blog will work in legal roles centred on copyright protection, have studied intellectual property law in post-graduate programmes or research and teach copyright in academic roles.
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