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Around the IP Blogs

The IPKat

This week, a controversy involving a famous Hollywood actor damaging one of Banksy’s artworks has taken the news and Aaron Moss, on Copyright Lately, discusses the possibility of Banksy suing the actor based on infringement of his (?) moral rights. Copyright A Kat walking and enjoying its freedom. 17 CDSM compatible with EU law?

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Fleshing out the copyright in a tattoo

IP Whiteboard

In what we understand to be an industry-first, the Copyright Agency (an Australian not-for-profit collecting society that also licences copyright protected literary and artistic works) has licenced an Indigenous artwork for a tattoo. Right: Photo courtesy of Katie Hagebols retrieved from [link]. What about moral rights?

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What Protects The Intellectual Property Created By Artists Or Designers?

Intepat

Further, the Copyright protects the following types of original artwork. However, suppose the designer chooses only to follow Section 15 of the copyright registration procedures and implements this registration for his use. Registration–. Registration–. How Do these Industrial Design Rights benefit you?

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What Protects The Intellectual Property Created By Artists Or Designers?

Intepat

However, if the designer chooses to follow Section 15 of the Copyright registration procedures and implements this registration for industrial actions, the designer will be able to benefit from design protection up to the object’s 50th reproduction. Registration–. Registration–. How Do these Rights benefit you?

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Copyright Regulation for Pseudonymous, Anonymous, and Related Creative Works in India

Intepat

Section 57: This section emphasizes moral rights, which allow authors to protect the integrity of their works, regardless of whether they are pseudonymous or anonymous. State of Tamil Nadu (2021) This case involved the unauthorized use of an artwork created by an unknown artist.

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Book review: Copyright in the street. An Oral History of Creative Processes in Street Art and Graffiti Subcultures

The IPKat

It emerges that brands should pay for the use of street artworks. The number of registrations with the US Copyright Office has been growing since the 1970s. This chapter reminds one that there is case law in which street artists and writers have asserted their moral rights. The same is for moral rights.

Art 57
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WIPIP Session 8 (copyright)

43(B)log

(c) does grant authors “rights in something he created” and that “already belong to him” at common law and is taken after a few short years from him and his heirs. Natural or moral right to own fruit of labors. Rests on natural moral right to enjoy products of own exertion and no interference with anyone’s right to do likewise.