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Thaler, Copyright Office Fight Over Human-Authorship Requirement for AI-Created Artwork Continues

IP Watchdog

Copyright Office’s refusal to register copyright to an artwork generated by Thaler’s Creativity Machine. Court of Appeals for the D.C. Circuit, continuing the artificial intelligence (AI) technologist’s legal challenge to the U.S. The reply brief argues that there is no human authorship requirement under the U.S.

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Using AI Artwork to Avoid Copyright Infringement

Copyright Lately

The desire to avoid litigation at all costs has helped to create a “clearance culture” in which the standard operating procedure is for content creators to obtain a license (often at substantial expense) for every use of copyrighted material appearing in a production, regardless of whether permission is legally required.

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When is an artist entitled to refuse attribution of an artwork? Italian Supreme Court provides (final) guidance in long-running dispute over Jeff Koons’s The Serpents

The IPKat

As IPKat readers are surely aware, his fame extends well beyond the art world, given that Koons has contributed as litigant to some of the most interesting copyright case law around the world [see, eg, IPKat coverage here ]. Background In 1988, the artefact at issue in the Italian litigation was shown at an exhibition in Cologne (Germany).

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[Guest post] ‘Ghiblification’ and the Moral Wrongs of U.S. Copyright Law

The IPKat

And even if the artwork of Miyazaki was a visual work that could fall under the realm of VARA protections, moral rights in their current form would probably inadequately protect against the new frontiers of AI outputs. Thanks to extensive lobbying from studios, motion pictures were explicitly exempted from moral rights protections.

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[Guest post] Litigation commenced against the developers of AI image generation software

The IPKat

Katfriends Adrian Aronsson-Storrier and Oliver Fairhurst from Lewis Silkin report on recent litigation in the UK against the developers of AI generation software. This litigation has arisen amongst a flurry of recent interest in AI generated works. What is AI image generation software?

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Author of AI-Generated Work Rejected by Copyright Office Says Lack of Protection Has Crushed Him

IP Watchdog

Jason Allen, the author of the two-dimensional digital artwork, titled “Théâtre D’opéra Spatial,” which was rejected by the U.S. Copyright Office last year, has filed a request for declaratory judgment with the U.S. District Court for the District of Colorado asking the court to find that his work is eligible for copyright registration.

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Incidental use of artworks

Olartemoure Blog

La entrada Incidental use of artworks se publicó primero en OlarteMoure | Intellectual Property. This decision provides legal certainty to the audiovisual industry in copyright infringement disputes in Colombia and the Andean Community.

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