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The EU imperative to a free public domain: The case of Italian cultural heritage

Kluwer Copyright Blog

Image via Staatliche Museen, Berlin, Gemäldegalerie / Christoph Schmidt Public Domain Mark 1.0 For more than seven decades, international law has consistently led countries to embrace culture as a global and cross-border value for humanity.

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The puzzled tie of copyright, cultural heritage and public domain in Italian law: is the Vitruvian Man taking on unbalanced proportions?

Kluwer Copyright Blog

1] The artwork is held by the Italian state museum Gallerie dell’Accademia of Venice, which, along with the Italian Ministry of Culture, initiated the precautionary proceeding against the German company Ravensburger and its Italian subsidiary for producing and selling the puzzle and reproducing the work’s image. 15 B.C.).

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How Can Museums Copyright the Works of Old Masters?

Art Law Journal

If an artwork is in the public domain, free from copyright protection, then how can a museum claim it holds the copyright? Steve Schlackman.

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How A Century-Old Insight of Photography Can Inform Legal Questions of AI-Generated Artwork (Guest Blog Post)

Technology & Marketing Law Blog

Do these creations belong to the artists or the public domain? Copyright in Photographs, Established in Late 1800s The age-old strife between new technology and old law is epitomized by a hundred-year-old story of how copyrights came to exist in photographs after the invention of the camera. By guest blogger Prof.

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Disney+ ‘Behind the Attraction’ Accused of Plagiarism

Plagiarism Today

Left is my original artwork from my video. Graphic design is credited to award-winning graphic designer Jeremy Samples, so it's disappointing they would copy instead of producing original artwork. However, what may be best for Disney in a court of law could be actively working against them in the court of public opinion.

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[Guest post] Can the owner of an artistic work convert it into an NFT for its use in the Metaverse?

The IPKat

As a result, also the exclusive rights of adaptation (covered by Spanish law) and public communication are involved in this matter. 5(3)(j): “for the purpose of advertising the public exhibition or sale of artistic works, to the extent necessary to promote the event, excluding any other commercial use”.

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Creative Commons and NFTs – is CC licensing compatible with the new technologies?

Kluwer Copyright Blog

With the exception of CC0, CC licences allow authors to keep their copyright whilst at the same time communicate which rights they reserve and which rights they waive for public benefit. By purchasing an NFT one only purchases an actual digital token that normally contains a link to or a copy of a digital artwork.

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