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Generative AI and creativity: A quick analysis of US and Canadian copyright registrations for artistic works

Kluwer Copyright Blog

In addition to raising questions about ownership of outputs , infringement in training , and the future of copyright as a policy tool to encourage creativity , economists are in the early stages of analysing the effects of these technologies on human creativity.

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[Guest post] Can the owner of an artistic work convert it into an NFT for its use in the Metaverse?

The IPKat

Now, a further development on IP and NFTs comes from Spain, as Katfriend Mercedes Morán Ruiz (CEDRO) reports: Can the owner of an artistic work convert it into an NFT for its use in the Metaverse? Pending that, this cat lover (and dog lover, and also lover of NFTs) wonders about the following few issues. 5/08, paragraph 56; C?435/12,

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Traditional Tattoos on the Red Carpet: Continuing the Conversation of Collective Ownership

IPilogue

These events point to two prevalent issues within the current legal framework: First, that current intellectual property laws do not properly acknowledge collective ownership over shared culture within Indigenous communities and second, whether tattoo designs have the potential to be protected through copyright laws. Of note, in DRG Inc.

Ownership 102
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Ownership of Copyrights Patents and Trademarks are Created by Employees and Independent Contractors

IP and Legal Filings

The documents which are certified by the Registrar of Copyright can be presented in the court of law as evidence, in case of the original work cannot be presented for the time being. This may be for a limited period and is only limited to publishing, rendering left of the ownership to the author.

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On repatriation: Questions of copyright ownership and management of repatriated cultural heritage materials

The IPKat

Oriakhogba’s work is a timely reflection on approaches to navigate the complex terrain of using copyright laws to address issues of ownership, control and management inherent in or arising from repatriated (and/or "should-be-repatriated") cultural heritage materials. Artistic works?) Traditional cultural expressions?

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Copyright Ownership of Movies and Films in Canada: Who’s on First?

IPilogue

Something has recently gone awry with the law of copyright ownership in a movie or other film — a “cinematographic work”, as s. Part I of the Act deals with the ownership of copyright in works. Section 13(1) provides that the author of a work is its first copyright owner. 2 of the Copyright Act RSC 1985, c.

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Conundrum Involving The Ownership Of The Work Created By Ai

IP and Legal Filings

Introduction Any literally or artistic work that is original and creative i.e.; not copied from anywhere by the owner is protected under Copyright Act, 1957. Thus, most would agree that AI-created work does not have the component of originality. Issues There are many issues in granting ownership to AI.