The IPKat
APRIL 6, 2025
The Visual Artists Rights Act (VARA) provides some moral rights: non-economic rights personal to the author of a work. VARA was passed in compliance with the Berne Convention, the international copyright treaty that requires countries to provide the basic rights of attribution and integrity to authors.
SpicyIP
DECEMBER 6, 2023
Acko General Insurance , the Delhi High Court is faced with the opportunity to elaborate whether and how street art in general is subject to the Copyright Act, the scope of ‘artistic work’ under Sec. 52(1)(t) and ‘moral rights’ of the author in such work. 13(1) of being ‘original artistic work’.
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Kluwer Copyright Blog
JUNE 18, 2021
With the Beijing Treaty, any performance of literary or artistic works or expression of folklore is covered by intellectual property, independently from its nature or medium, including both fixed and unfixed works (live performances), acknowledging the creative activity of these performers in the same way as with regard to musicians and authors.
IP Whiteboard
AUGUST 30, 2020
In what we understand to be an industry-first, the Copyright Agency (an Australian not-for-profit collecting society that also licences copyright protected literary and artistic works) has licenced an Indigenous artwork for a tattoo. What about moral rights? a work of ‘artistic craftsmanship’.
IPilogue
NOVEMBER 30, 2021
Of course, unless waived by the artist, the moral rights associated with the artistic work remain with the artist. Moral rights ensure the integrity of the work, and, when reasonable, the artist’s right to association with their work by name or pseudonym.
IP and Legal Filings
APRIL 20, 2023
Introduction Any literally or artistic work that is original and creative i.e.; not copied from anywhere by the owner is protected under Copyright Act, 1957. In this way, when an AI is perceived as a creator of the work, AI will most likely be unable to find out any demonstration has impacted the owner of the work.
The IPKat
JANUARY 25, 2022
That is the great contribution of modern copyright law, recognizing as it does the legal status of a derivative work and thereby opening unlimited commercial possibilities for the work of art." [ Merpel notes that, of course, while the Larivière painting is not protected by copyright, it is the principle that concerns us.
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