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Choosing the Right Intellectual Property Protection

IIPRD

Intellectual Property Rights (IPR) are like different keys for different locks. With so many IPs available trademarks, patents, copyrights, and more – how can you choose the right one for your work, product, or business? Intellectual Property refers to any intangible asset or property originated from the human intellect.

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[Guest post] Can the owner of an artistic work convert it into an NFT for its use in the Metaverse?

The IPKat

Now, a further development on IP and NFTs comes from Spain, as Katfriend Mercedes Morán Ruiz (CEDRO) reports: Can the owner of an artistic work convert it into an NFT for its use in the Metaverse? Pending that, this cat lover (and dog lover, and also lover of NFTs) wonders about the following few issues. 5/08, paragraph 56; C?435/12,

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Generative AI and creativity: A quick analysis of US and Canadian copyright registrations for artistic works

Kluwer Copyright Blog

In addition to raising questions about ownership of outputs , infringement in training , and the future of copyright as a policy tool to encourage creativity , economists are in the early stages of analysing the effects of these technologies on human creativity.

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Traditional Tattoos on the Red Carpet: Continuing the Conversation of Collective Ownership

IPilogue

These events point to two prevalent issues within the current legal framework: First, that current intellectual property laws do not properly acknowledge collective ownership over shared culture within Indigenous communities and second, whether tattoo designs have the potential to be protected through copyright laws.

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Dispute on Copyright and Creativity

Biswajit Sarkar Copyright Blog

Major record companies, including Universal Music Group, Sony Music, and Warner Music, have taken legal steps to protect their intellectual property. Lawsuits have already been filed against AI developers, demanding transparency on data sources and compensation for artists whose works are used to train AI. Under the U.S.

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On repatriation: Questions of copyright ownership and management of repatriated cultural heritage materials

The IPKat

Oriakhogba’s work is a timely reflection on approaches to navigate the complex terrain of using copyright laws to address issues of ownership, control and management inherent in or arising from repatriated (and/or "should-be-repatriated") cultural heritage materials. Artistic works?) Traditional cultural expressions?

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Copyright Ownership of Movies and Films in Canada: Who’s on First?

IPilogue

David Vaver is the Acting Director of IP Osgoode and a Professor of Intellectual Property Law at Osgoode Hall Law School. The following is a preview of a paper to be published in the Intellectual Property Journal. . Part I of the Act deals with the ownership of copyright in works. C-42 [ Act ] calls it. .