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[Guest post] Can the owner of an artistic work convert it into an NFT for its use in the Metaverse?

The IPKat

Now, a further development on IP and NFTs comes from Spain, as Katfriend Mercedes Morán Ruiz (CEDRO) reports: Can the owner of an artistic work convert it into an NFT for its use in the Metaverse? This would not be the case if the work were in the public domain or if it could be considered an orphan work owned by a museum or a library.

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Cardinals Of Intellectual Property Rights (Part- II)

IP and Legal Filings

PART 2: of the blog gives a detail about Copyrights, Industrial Designs, Geographical Indications, Layout Designs of Integrated Circuits, Plant Variety Protection and Trade Secrets. Broad classification of ‘works’ which are protected by copyright are-. Original literary, dramatic, musical, and artistic works.

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Registered Copyrights and the Requisites for Registration

Intepat

Additional information required encompasses the title of the work, language, author details, publication status, details of the first and subsequent publications, and information about licensees and assignees if applicable. For translated or adapted works, additional details must be filled in.

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Copyright Protection of Modern Art

IP and Legal Filings

The lack of organisation and ambiguity make the protection problematic even if the work is copyrighted. According to section 13 (1)(a) of Copyright Act of 1957 copyright subsists in original literary, dramatic, musical and artistic works. The picture was released in Public Domain without permission, which is the issue with this.

Art 52
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Copyright for AI-generated works: a task for the internal market?

Kluwer Copyright Blog

Better Regulation The EU has committed itself to designing policies and laws with a greater level of transparency and evidence , backed up with the views of citizens and stakeholders. AI processes can generate a large number of literary, musical and artistic works in the span of several seconds.

Marketing 107
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Contradictions of Computer-Generated Works’ Protection

Kluwer Copyright Blog

This thesis is supported by the curious failure of the United Kingdom’s Copyrights, Designs and Patents Act of 1988 ( CDPA 1988 ) to protect “computer-generated works.” In the most minimalist English definition, originality designated something originating from the author, which he can claim as his own expression (see Rahmatian ).

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The Much-Adapted “Peter Pan” (1904 – Forever )

Velocity of Content

And the 1911 content reused in these works may actually be in the public domain already. By way of conclusion, I see a number of potential lessons to be drawn from the Case of ‘Peter Pan and the Complex Copyrights.