Artistic Work Artwork Contracts 
Kashishipr
SEPTEMBER 20, 2021
Under Section 2(c) of The Copyright Act of 1957 , the label is an original artistic work. As per NTC’s statement, both SSPL and SK Oil Industries couldn’t claim copyright in the artistic work. NTC didn’t own the copyright in the ‘SOYA DROP’ artwork or label.
The IPKat
FEBRUARY 17, 2022
AI-generated Kats The Review also rejected Thaler’s argument that AI can be an author under copyright law because the work made for hire doctrine allows for “non-human, artificial persons such as companies” to be authors. First, held the Board, a machine cannot enter into any binding legal contract.
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IP and Legal Filings
OCTOBER 19, 2022
Literary, dramatic, and artistic works are recognized as protected works under Thailand’s Copyright Act B.E. Forms of digital media or virtual artworks are traded among NFT traders in the current NFT market practice, frequently for astronomically high prices. 2537 (1994).
Kluwer Copyright Blog
JULY 24, 2024
While creative industries claim their work has been not only stolen but specifically used to replace them, AI providers continue, remarkably, to insist that the millions of images ‘fed’ to the AI can be used without permission as part of the ”social contract” of the Internet.
IIPRD
JANUARY 29, 2023
Legal Pitfalls in Virtual World The character design used by a content creator can be designed by an artist, and rights can be transferred from the artist to the creator. A person who employed the artist will be considered the proprietor of the artwork and can register for exclusivity for the same character. [3]
Intepat
MAY 17, 2024
One case involved the visual work “A Recent Entrance to Paradise,” produced by Steven Thaler’s Creativity Machine, which was entirely generated by AI with no human contribution. Contracts should clearly state who owns the rights to the prompts. In such cases, it amounts to licensing of copyrightable works.
LexBlog IP
SEPTEMBER 15, 2022
They are sold and/or traded in connection with “smart contracts” that govern the terms of transfer. In this case, beyond pure IP issues, the parties disagree over interpretation of Tarantino’s original contract with Miramax, in which he reserved all rights for print publication of the screenplay (including in digital form).
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