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[Guest post] Can the owner of an artistic work convert it into an NFT for its use in the Metaverse?

The IPKat

Now, a further development on IP and NFTs comes from Spain, as Katfriend Mercedes Morán Ruiz (CEDRO) reports: Can the owner of an artistic work convert it into an NFT for its use in the Metaverse? This would not be the case if the work were in the public domain or if it could be considered an orphan work owned by a museum or a library.

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On repatriation: Questions of copyright ownership and management of repatriated cultural heritage materials

The IPKat

Oriakhogba’s work is a timely reflection on approaches to navigate the complex terrain of using copyright laws to address issues of ownership, control and management inherent in or arising from repatriated (and/or "should-be-repatriated") cultural heritage materials. Artistic works?) Traditional cultural expressions?

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Copyright Ownership of Movies and Films in Canada: Who’s on First?

IPilogue

Something has recently gone awry with the law of copyright ownership in a movie or other film — a “cinematographic work”, as s. Part I of the Act deals with the ownership of copyright in works. Section 13(1) provides that the author of a work is its first copyright owner. 2 of the Copyright Act RSC 1985, c.

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Dispute on Copyright and Creativity

Biswajit Sarkar Copyright Blog

EU Copyright Directive (Article 17): In Europe, Article 17 of the Copyright Directive mandates that platforms obtain licenses for copyrighted content, which could extend to AI training datasets. AI-generated content that replicates copyrighted music may violate DMCA provisions. Is AI training fair use?

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Can We Reexamine the Role of Blockchain in Copyright Now?

Plagiarism Today

For almost as long as the blockchain has existed, supporters and advocates of it have claimed it would revolutionize the way we consume art, handle copyright disputes and earn revenue from artistic works. To put it mildly, those promises have not come to fruition. It’s a simple idea, but one that hasn’t taken off yet.

Copyright 279
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Fonts & Typefaces: Are they Copyrightable? 

SpicyIP

This post only deals with copyrightability of fonts from artistic work perspective and does not explore the copyrightability of fonts as code or literary works. Scaria and George in their article Copyright and Typefaces (p.9) In the digital age, word processing programs have made the distinction obsolete and arcane.

Copyright 126
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Choosing the Right Intellectual Property Protection

IIPRD

All the creations of the human minds such as designs, inventions, artistic works, names, symbols, etc. These rights include exclusive ownership benefits and rights against any misuse, alteration, modification etc. of their work for a fixed period. of any article (either 2D or 3D form).