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What Winnie-the-Pooh Lapsing into the Public Domain Really Means

Plagiarism Today

On January 1, 2022, works that were first published in the year 1926 lapsed into the public domain. Winnie-the-Pooh is likely the most culturally relevant character to enter the public domain since 2019, when works started entering the public domain again in the United States due to the Sonny Bono Copyright Term Extension Act.

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Is Mickey Mouse in the Public Domain?

The IPKat

On 1st January every year we celebrate the array of works entering the public domain, as their copyright term expires. This year, entering the public domain [generally speaking] are copyright protected works created by people who died in 1953, for countries with a copyright term of life plus 70 years (e.g.,

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The puzzled tie of copyright, cultural heritage and public domain in Italian law: is the Vitruvian Man taking on unbalanced proportions?

Kluwer Copyright Blog

In late 2022, the Court of Venice issued an interesting order restraining the use of the image of a well-known piece of Renaissance art by Leonardo da Vinci: the Study of the Proportions of the Human Body in the Manner of Vitruvius , also known as the Vitruvian Man. [1] Pen and brown ink with wash over metalpoint on paper (34.4 633/1941, l.

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Who Owns the Copyright in AI-Generated Art?

Intepat

Introduction In the ever-evolving intersection of technology and creativity, a groundbreaking revolution is underway – AI-generated art. This burgeoning genre is not only pushing the boundaries of artistic expression but also challenging the established norms of copyright ownership.

Art 105
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European Copyright Society letter to Commissioner Breton on a future agenda in the field of copyright law

Kluwer Copyright Blog

The members of the European Copyright Society (ECS ) have recently sent a letter to Mr. Thierry Breton ( Commissioner for Internal Market , European Commission ) outlining their view of what should be the priorities for a f uture agenda in the field of copyright law.

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Disney+ ‘Behind the Attraction’ Accused of Plagiarism

Plagiarism Today

Onge published a video to his YouTube Channel Art of Engineering explaining the inner workings of the Disney’s Tower of Terror thrill ride. Right is from Behind the Attraction on Disney+ pic.twitter.com/Sf1biymTSz — James St.Onge – Art of Engineering (@aoEngineering) September 16, 2021. And this one.

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Fair Use for Documentaries in US Copyright Law: Brown v Netflix

Kluwer Copyright Blog

107, as the film provides commentary on the art of burlesque. As pointed out by Keith Aoki, James Boyle and Jennifer Jenkins in Bound by Law? Tales from the Public Domain , “documentaries are records of our culture. As mentioned, the Second Circuit upheld the District Court’s decision. by Tito Rendas. €

Fair Use 101