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Article 17 Directive (EU) 2019/790 on copyright and related rights in the Digital Single Market (“DSM Directive”) is currently being implemented into national law in the EU Member States. This has caused extensive debates on the national level comparable to the debate that took place when Art. 17 DSM Directive and Art.
In a nutshell, a specialist search engine engaging in re-use of substantial parts of the database of a job adverts website was accused of violating sui generis databaseright. Therefore, the CJEU concludes that these acts fall under art. 33, AG Opinion). One way or another, it will be interesting. [1] by Tito Rendas. €
Photo by Markus Spiske on Unsplash Welcome to the second trimester of the 2023 round up of EU copyrightlaw! In this series, every three months we update you on what has happened in EU copyrightlaw. More from our authors: Guide to EU and UK Pharmaceutical Regulatory Law, Eighth Edition by Sally Shorthose € 265
Welcome to the second trimester of 2021 round up of EU copyrightlaw! In this series, we update readers every three months on developments in EU copyrightlaw. This case relates to the sui generis databaseright and its application to the activity of search engines. The AG suggests that art.
For public sector bodies — producers and holders of vast quantities of data — as well as for the companies that act as suppliers, the sui generis databaseright has been slowly eroded since 2003. because there is no public access regime that applies, or because third parties own intellectual property rights. by Tito Rendas. €
At the end of 2021, YouTube’s first Copyright Transparency Report 2021 (“Report”) was published. It is interesting to look at this Report against the background of the 2019 EU rules for the liability of platforms like YouTube through the famous Art. A vanishing right? Copyrightlaw and football matches: impossible to match?
The second edition offers revised, or wholly rewritten chapters to the overlaps discussed in the first edition so as to reflect recent developments, as well as to include new chapters (the overlap between privacy and copyrightlaw; privacy and secrecy; trademarks certification marks and collective marks; and IP and traditional knowledge).
In a policy paper , copyright and art-law experts led by the author clarified the general copyrightlaw principles applicable to stakeholders dealing with digital cultural heritage worldwide and formulated recommendations, addressed to policy-makers, to facilitate their digital activities. Proposal 4.
4) The use of artificial intelligence systems and models in the reproduction, extraction and creation of textual, musical, photographic, audiovisual and radio content and figurative arts must not cause harm to the honor, reputation, decorum and prestige of the Supreme Pontiff, the Catholic Church and the Vatican City State. CXCVII, Sept.
The last source, scraping internet data, has been the most controversial so far and given rise to concerns from both intellectual property and data protection perspectives, and nascent litigation in various jurisdictions when the scraping has been done without permission of the copyright/databaseright holders.
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