Who Owns the Copyright in Your Tattoo Art?
Art Law Journal
MARCH 25, 2021
You’re considering a lot of different things when thinking about inking a new tattoo, but copyright infringement probably isn’t one of them. Nicole Martinez.
Art Law Copyright Infringement Copyright Law 
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Stop, thief! How to win big in a copyright infringement case
Art Law Journal
JUNE 16, 2022
She is an infringer and subject to legal action just like Jack. Due to the no-fault aspect of Copyright law, most infringement cases do not revolve around whether there was an infringement, but rather on how much money the copyright holder should receive for the violation.
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Who Owns the Copyright in Your Tattoo Art?
Art Law Journal
MARCH 25, 2021
You’re considering a lot of different things when thinking about inking a new tattoo, but copyright infringement probably isn’t one of them.
No Fair Use for Warhol Prince Photo
LexBlog IP
MAY 24, 2023
SCOTUS: No “Fair Use” Defense in Warhol Use of Prince Photograph SCOTUS found that Andy Warhol’s commercial use of Goldsmith’s photograph of Prince did not entitle the Foundation to a fair use defense to copyright infringement. Goldsmith’s photo can be found here , as well as Warhol’s commercial use.
Who Holds the Copyright in Generative AI Created Content?
Art Law Journal
FEBRUARY 3, 2023
Find out how copyright law applies to content created through generative AI. Are you using AI like Dall-e or ChatGPT to create content?
Prince, Prince, Prints: Will the Supreme Court Revisit Fair Use?
LexBlog IP
FEBRUARY 28, 2022
6] The Supreme Court’s ruling on that petition—and a possible eventual decision on the merits—could have enormous implications for the art world and other industries impacted by copyright law. Goldsmith counterclaimed for copyright infringement. for Visual Arts, Inc. Originals” [7] : The Works at Issue.
Digital collections from GLAM institutions: Policy Paper
Kluwer Copyright Blog
JULY 14, 2023
In a policy paper , copyright and art-law experts led by the author clarified the general copyright law principles applicable to stakeholders dealing with digital cultural heritage worldwide and formulated recommendations, addressed to policy-makers, to facilitate their digital activities.
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