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Like most copyright systems, French copyright law does not leave much room for the freedom of authors of transformative graphic works (also called “derivativeworks”). Three interesting cases on derivativeworks, two involving Jeff Koons and one Tintin, have recently put French copyright law in the international spotlight (e.g.
On May 18, 2023, the Supreme Court found that artistic changes to a pre-existing work, alone, not necessarily sufficient to make a derivativework fair use. Applying a new lens on how to view the purpose of a derivativework under U.S. copyright law.
.” Focusing on the tattoo itself, defendants argue that “[t]he specific challenged use—a non-commercial tattoo hand-inked on the arm of Kat Von D’s friend—is nothing like the copyrighted use, a photograph licensed to be used in a magazine article about Miles Davis.”
Following Prince’s sudden and untimely death in 2016, the Warhol Foundation, successor to the copyright in the Prince Series, licensed to Condé Nast one of the Prince Series images for use in a commemorative magazine titled The Genius of Prince , which featured on its cover the image from the Prince Series. 5 (quoting Google , 141 S.
As noted here previously, one incapable of fitting within the definition of “author” might nonetheless have a right of publicity claim where copyright does not work, and using another’s voice for commercial gain is different from making fair use of a transcript of another’s words. Random House, Inc.
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