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[Guest post] ‘Ghiblification’ and the Moral Wrongs of U.S. Copyright Law

The IPKat

Copyright Law by Angela Chung Do everything by hand, even when using the computer. And even if the artwork of Miyazaki was a visual work that could fall under the realm of VARA protections, moral rights in their current form would probably inadequately protect against the new frontiers of AI outputs. Castillo v.

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Fair Use for Documentaries in US Copyright Law: Brown v Netflix

Kluwer Copyright Blog

In 2020 the District Court agreed with the defendants that the use of the song in the documentary was fair use and hence granted the motion to dismiss. Since the Second Circuit found the use of the song in the film fair and thus there was no direct infringement, the claims for secondary copyright infringement were also dismissed.

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Incidental use of artworks

Olartemoure Blog

The Andean Tribunal of Justice, through prejudicial rulling 135-IP-2020, has established a determinant factor to differentiate between the public communication of a pictorial work in an audiovisual work and its incidental use. La entrada Incidental use of artworks se publicó primero en OlarteMoure | Intellectual Property.

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The Evolving Jurisprudence of Copyright in AI-Generated Works

IIPRD

Blog sought to study global moves or court cases that have taken place regarding uses of copyright in made-always-with-an-AI creation and provide discussion over possible solutions to the future of intellectual property laws. Copyright Office. Copyright Act regulates the works which are created by humans only.

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Copyright Regulation for Pseudonymous, Anonymous, and Related Creative Works in India

Intepat

Copyright law serves as a vital mechanism for protecting the rights of creators over their original works. In India, the Copyright Act of 1957 provides the legal framework that governs these rights. The Indian Copyright Act stipulates that the duration of copyright for pseudonymous works is 60 years from the date of publication.

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A Tale of Reconciliation: The Australian Way

IPilogue

Crown Copyright in Other Jurisdictions. Provisions for copyright ownership by the Crown are a consistent feature of copyright laws in commonwealth countries. Section 176 of Australia’s Copyright Act, 1968 provides for Crown copyright for works created under the “direction or control” of the Crown.

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MPA & RIAA Deployed 60+ Lobbyists in 2022, Piracy Top of The Agenda

TorrentFreak

The campaign hopes to pay a lobbyist $187,500 to “educate government officials and policymakers” on a new threat to the creative industries – AI-generated artwork. The Concept Art Association says that some of the money will go to the Copyright Alliance, which already lobbies the government on behalf of its own members.