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Understanding the Relevance of IPR in the Fashion Industry

IP and Legal Filings

Fashion designers and artists showcase their creative genius through conceptual fashion shows and apparel collections. As of 2019, the apparel market was valued at about 368 billion U.S Designs or patterns that are created to stitch or print into textiles are protected with the help of design acts in several countries.

Designs 75
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US Copyright Office refuses to register AI-generated work, finding that "human authorship is a prerequisite to copyright protection"

The IPKat

The application stated that the Work had been autonomously created by a computer algorithm running on a machine. Registration was sought as a work-for-hire to the owner of the Creativity Machine. In 2019, the Copyright Office rejected the application, holding that human authorship is necessary to support a copyright claim.

Copyright 145
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Battle of the Brushes: Are Makeup Artists Left in Copyright’s (Eye)shadow?

IPilogue

With tech becoming ever more sophisticated, users can now opt to express themselves with filters that seamlessly blend vibrant eyeshadow or sparkly lipstick designs (among many others!) 5(1) of the Copyright Act , copyrights subsist in artistic works such as photographs or paintings. to their face. Spoiler alert, it depends.

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Critical Analysis on Intellectual Property Rights and its components.

IIPRD

This right can be related to music, a book, a logo, any art work, work related to science, designs of the industries. Work related to art or any rights which is related to literary, artistic, or scientific related matters. It is basically giving a right to the original creator, so that no one uses that work.

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SpicyIP Weekly Review (July 26 – August 1)

SpicyIP

India’s Accession to the Locarno Agreement: Amendments to the Design Rules, 2001 & Other Impacts. In a guest post , Yashi Agrawal writes about India’s recent accession to the Locarno Agreement and its implications for India’s design laws. Fonts and Typefaces: Are they Copyrightable? Fonts and Typefaces: Are they Copyrightable?

Reporting 116
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The Future of Copyright. In memory of Luigi Carlo Ubertazzi (Report 1/2)

The IPKat

Roberto Pardolesi gave a talk that focused on the antithesis between the two possible visions of copyright, one more inclined to see the works of art as a tradeable good, the other that mainly sees the protection of authorship as the main purpose of copyright. WIPO conference hall – picture by David Matthiessen) Prof.

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Generative AI, Digital Constitutionalism and Copyright: Towards a Statutory Remuneration Right grounded in Fundamental Rights – Part 1

Kluwer Copyright Blog

Image from DALL-E 3 Introduction Generative AI is disrupting the creative process(es) of intellectual works on an unparalleled scale. More and more AI systems offer services that push users’ production capacity for new literary and artistic works beyond unforeseen barriers. In 2019, the U.S. Deepbrain AI , Veed.io ).

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