2016 Copyright Law Marketing Ownership 
IP and Legal Filings
OCTOBER 28, 2022
NFT creation, investment, sale, and ownership interest exists in Indonesia and elsewhere in the world. As of this writing, there is no explicit regulation governing the NFT market or the way NFTs should be produced, acquired, gathered, coined, etc. Introduction. Non-fungible tokens (“NFTs”) continue to be popular.
Intepat
JULY 11, 2024
Show’s Perspective The show argues that copyright laws necessitate action against unauthorized usage to protect their intellectual property rights and brand identity. The startups’ promotional benefits did not override Sony’s exclusive rights as the copyright holder. In the case of Myspace Inc.
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SpicyIP
JULY 5, 2021
It noted that “ despite relevant University Ordinances stipulating access …, the prerogative lies with the University to withhold one such thesis in absolute confidentiality on the grounds of commercial viability and market competition. ”. Degrees), Regulations, 2016 and the UGC Act, 1956 which have mandatory application on the Universities.
Kluwer Copyright Blog
MARCH 13, 2024
From this constitutional dimension of copyright emerged the notion of ‘user rights’ ( Geiger, 2020 ). Looking forward, it is essential to ensure that legitimate uses expressly foreseen by copyright law are enabled through better access to protected works. However, it is only a first step towards making user’s rights a reality.
LexBlog IP
APRIL 18, 2022
When Prince died in 2016, Vanity Fair’s parent company sought permission from the Andy Warhol Foundation for the Visual Arts, Inc. which had assumed ownership of the Prince Series upon Warhol’s death) to produce one of the Prince Series works in a Vanity Fair tribute issue.
Copyright Lately
MAY 1, 2023
First of all, in terms of copyright, to reiterate our very clearly articulated position. sophisticated generative AI that’s enabled by large language models, which trains on our intellectual property, violates copyright law in several ways. copyright law really doesn’t seem to give UMG a ton of options.
Kluwer Copyright Blog
JUNE 28, 2021
In another study of 2020 ( here ) FAPAV analyzes trends in audiovisual piracy in Italy over the years from 2016 to 2019, with a specific focus on piracy of sport live events, highlighting that in few years such phenomenon has more than double up its magnitude, increasing from 14.5 million to 30.9 by Tito Rendas. € by Martin Senftleben. €
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