2015 Artwork Ownership 
The IPKat
APRIL 19, 2023
Ownership of every name periodically expires and, at that point, anyone may freely claim it on Namecoin by re-registering the expired name. McCoy’s registration on the Namecoin blockchain expired In January 2015. On 30 April 2021, Free Holdings, a Canadian company, re-registered McCoy’s Quantum name in the Namecoin blockchain.
The IPKat
DECEMBER 16, 2021
While the High Court found Morison liable for trademark infringement as well as passing-off, the trial judge did not make a finding of copyright infringement, stating that as the designer of the device was not called to testify, copyright ownership was not sufficiently proven.
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CopyrightsWorld
APRIL 29, 2022
The US Copyright Office has determined that some AI artworks cannot be copyrighted in the United States. Last Monday, the Copyright Office issued a fresh ruling rejecting a request to copyright an AI-generated artwork. “Visions of a Dying Brain” created by AI. ” An Exchange of Letters with the Copyright Office. .”
CopyrightsWorld
APRIL 29, 2022
The US Copyright Office has determined that some AI artworks cannot be copyrighted in the United States. Last Monday, the Copyright Office issued a fresh ruling rejecting a request to copyright an AI-generated artwork. “Visions of a Dying Brain” created by AI. ” An Exchange of Letters with the Copyright Office. .”
LexBlog IP
AUGUST 13, 2021
On July 12, 2021, Justice Andrew Borrok ruled that the rightful owners of two artworks by the Viennese Expressionist Egon Schiele (the “Artworks”) are entitled to prejudgment interest following an art dealer’s refusal to turn over the Artworks in 2015. [3] .” [2]. ” [10]. ” [10].
IP and Legal Filings
OCTOBER 18, 2022
The National Information and Communication Technology Policy, 2015, has therefore been a key policy action. However, as artwork typically cannot be duplicated exactly and cannot be swapped with another without losing or gaining value, it is non-fungible. NFTs are viewed as the future of ownership by enthusiasts. Conclusion.
43(B)log
OCTOBER 4, 2021
Restellini allgedly “offer[ed] his opinions as to whether or not artworks should be included in the planned catalogue raisonné” in “oral consultation” with WI employees, based on the information and materials “researched, collected, synthesized, analyzed and expressed by” the employees.
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