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These issues have stalled negotiations for many years since the Diplomatic Conference on the Protection of Audiovisual Performance held in Beijing in June 2012. An example of this would be the work carried out by AISGE – a Spanish organisation that manages dubbing actors’ intellectual property rights in Spain and abroad.
Right to communicate the work to the public. In addition to the above, Section 57 of the Act stipulates “author’s moralrights,” grants the owner of a copyright the power to exercise moral authority over the work.
According to article 1(1): intellectual creators, by creating the work, acquire intellectual property over it, which includes, as exclusive and absolute rights, the right to exploit the work (property right) and the right to protect the personal link to it (moralright). Emphasis added.)
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