IP and Legal Filings
MARCH 19, 2025
The defense concluded that the case was without merits, thus not violating copyright laws. Thus, in such cases, copyright laws would favor the producer if the BTS Footage was created as part of the production process. The dispute shares a similarity with Ilaiyaraaja’s copyright case. [1] 1] Llaiyaraja v.
Michael Geist
OCTOBER 16, 2023
Since the Canadian copyright law reforms in 2012, education and libraries have increased spending on licensing and a non-partisan House of Commons study found no need to create new restriction on education and library copying rights. She joins the Law Bytes podcast to discuss the CFLA statement and copyright law in Canada.
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IP and Legal Filings
FEBRUARY 15, 2023
The availability of a large variety of information has also increased the risk of Copyright Infringement due to its easy accessibility and dissemination. This has led to varying degrees of copyright infringements in this digital era.
The IPKat
MAY 7, 2024
Kat (re-)unification Should the EU unify the copyright laws of its Member States and introduce, over thirty years after the start of the harmonization process, a unitary copyright title? In 2015, the European Commission itself called unification of copyright laws “ a long-term target ”. Can copyright be next?
Likelihood of Confusion
JUNE 11, 2023
First published August 8, 2012. My über-sharp friend Oliver Herzfeld, moving up in the world, has written an article in Forbes magazine on a recent Copyright Office policy statement that, as he puts. The post Best of 2012: The borders of Terpsichore appeared first on LIKELIHOOD OF CONFUSION™.
Michael Geist
JULY 20, 2022
For much of the past two decades, copyright groups have steadfastly sought to deny what the Supreme Court of Canada has repeatedly endorsed, namely that the purpose of Canadian copyright law is to serve the public interest by balancing users’ and authors’ rights. In the 2012 ESA v. 339, at para.
McBayer IP Blog
DECEMBER 13, 2021
Just a few weeks ago, she released Red (Taylor’s Version), a re-recording of her 2012 album Red. The answer lies in the complex and little-understood realm of copyright law—and the issues that led to Swift’s undertaking are not only experienced by artists of her fame and status.
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