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17 Copyright and/or Plagiarism Stories for Halloween

Plagiarism Today

Copyright Challenges in Creating Garbage Horror : Back in October 2011, my partner and I were running a small YouTube channel named Garbage Horror, where we reviewed various low-budget horror movies. As Halloween grows both more popular and more lucrative, battles over authorship and ownership are only going to become more common.

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California Court of Appeal Enforces Non-Solicitation of Customers Provision in Joint Venture Transaction Involving Key Employee

Trading Secrets

This exception allows a buyer to enforce non-compete agreements against a seller if the seller is an “owner of a business entity selling or otherwise disposing of all of his or her ownership interests in the business entity.”. The joint venture was formalized over a five-day period in April 2011. In Blue Mountain Enterprises, LLC v.

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Wednesday Whimsies

The IPKat

The Court also dismissed Wright's claims of passing off, which was based on his assertion of ownership of goodwill in the name "Bitcoin". extended passing off) and argued that "that such a claim does not require him to assert authorship or ownership," so it would not be a breach of the earlier injunctions.

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Courts Still Have No Clue How to Determine Who Owns Social Media Accounts–JLM v. Gutman

Technology & Marketing Law Blog

Gutman created a Pinterest account in 2011 and an Instagram account in 2012, shortly after she began working for JLM. However, the appellate court seems to invalidate that six-factor test: “Determining he ownership of social-media accounts is indeed a relatively novel exercise, but that novelty does not warrant a new six-factor test.”

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Who Owns the Copyright in AI-Generated Art?

Intepat

This burgeoning genre is not only pushing the boundaries of artistic expression but also challenging the established norms of copyright ownership. This blog post embarks on a comprehensive journey to unravel the complex issue of copyright ownership in AI-generated art. Copyright laws are designed to safeguard the rights of creators.

Art 105
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Book review: Performing Copyright: Law, Theatre and Authorship

The IPKat

This chapter also describes the methodology for the qualitative empirical research that involved 20 interviews conducted during 2011-13 with participants from the theatre community including actors, playwrights, directors, and producers. Chapter two, ‘The Play’s The Thing…’ But What’s The Play?

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SpicyIP Weekly Review (January 27 – February 2)

SpicyIP

Prabha Sridevan, Judge, MHC (2000-2010) and Chairperson, IPAB (2011-2013) was recently interviewed by SpicyIP Doctoral Fellow Malobika Sen as part of her doctoral research. The Court noted that Kirloskar Proprietary Ltd, as the registered proprietor, had superior ownership rights compared to the plaintiffs status as a registered user.