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Case Summaries Abbott Healthcare Private Limited vs Vinsac Pharma on 17 February, 2025 (Delhi High Court) Abbott Healthcare sued two defendants for trademark and copyright infringement, claiming they deceptively copied its well-known LIMCEE Vitamin C tablets by selling LIMEECEE with similar packaging. Read the post for more details.
On August 14, the Delhi High Court passed the final judgment in a 23-year-old trademark dispute between Lacoste and Crocodile International. The detailed verdict, heavily punctuated with takeaways for IP observers and fashion enthusiasts alike, is one of the very few final judgements on trademark law passed this year.
‘The Paris Convention’, adopted in March 1883 and revised in the years 1900, 1911, 1925, 1934, 1958, 1967, and 1979, comprehensively addresses “patents, utility models, industrial designs, trademarks, service marks, trade names, and geographical indications”. [1] Both treaties were established during diplomatic gatherings in Madrid, Spain.
These are the Copyright Act, 1957; Designs Act, 2000; The Geographical Indication Act of Goods Act, 1999; and the Trademark Act, 1999. It is here that the distinction between ‘design’ in the Designs Act and ‘artisticwork’ in the Copyright Act becomes relevant. Infringement Of IPR – Design or ArtisticWork?
The district court granted summary judgment on the resulting trademark claims, reasoning that plaintiffs’ likelihood of confusion showing was “not strong enough to meet the standard that applies to artisticworks. Occasionally been used in the title to artisticworks” is a red herring. This part is not persuasive.
Protecting software innovations, which include inventions, creative works, and commercial symbols, is essential through the umbrella of Intellectual Property. This applies to literary, dramatic, musical, artisticworks, computer programs, cinematograph films, and sound recordings. In the case of Ferid Allani v.
Up to now, only sound fixations enjoyed this protection (see the WIPO Performances and Phonograms Treaty – WPPT – approved in 1996 and in force since 2002). The Copyright / Trademark Interface: How the Expansion of Trademark Protection Is Stifling Cultural Creativity. by Tito Rendas. € by Martin Senftleben. €
The Supreme Court’s decision focused its analysis on use of a mark as a source identifier, as opposed to the Ninth Circuit’s focus on the mark as an expressive work. Grimaldi , the Second Circuit established a threshold test for artisticworks that incorporate third party trademarks. [1] In Rogers v.
82 of 2002 ) itself. This leads us to question the adequacy of the law in fighting online piracy and the illegal dissemination of protected works in the Egyptian digital market. 82 of 2002 and the subsequent enactment of Egypt’s first IPRs code. Overview of Injunctive Relief Under Egyptian Law. by Tito Rendas. €
It means the products created by the use of the human mind as well as some resultant inventions, literary works, original designs, and the identities of various trademarks or logos that serve as brands in the market. These creative concepts are shielded by legal means called patents, copyrights, and trademarks.
This theory in some way or the other indirectly is not in consonance with the rule that the work does not have to be registered to claim copyright. From the perspective of other IPRs like Trademark, Patents, etc.
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